EPISODE · May 5, 2022 · 12 MIN
Institutions
from High Theory · host High Theory
Kim talks with Chad Hegelmeyer about the institutional turn in literary studies. Chad references Jeremy Rosen’s article “The Institutional Turn” from the Oxford Research Encyclopedia of Literature. We also talk about: Sylvia Plath’s The Bell Jar (Harper Collins, 1963), D.A. Miller’s The Novel and the Police (U California Press, 1989), Nancy Armstrong’s How Novels Think (Columbia UP, 2006), Mark McGurl’s The Program Era (Harvard UP, 2011), and Janice Radway’s books, Reading the Romance (UNC Press, 1984) and A Feeling for Books (UNC Press, 1997). Chad quotes several texts referenced by Rosen: Franco Moretti’s Signs Taken for Wonders: On the Sociology of Literary Forms (Verso, 2005) Frederic Jameson, The Political Unconscious: Narrative as a Socially Symbolic Act (Cornell UP, 1982) Mark McGurl. “Ordinary Doom: Literary Studies in the Waste Land of the Present.” New Literary History 41, no. 2 (Spring 2010): 329–349. In the longer version of our conversation, Chad gave several other examples of the “institutional turn” including: James F. English, The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value (Harvard UP, 2005); Claire Squires, Marketing Literature: The Making of Contemporary Writing in Britain (Palgrave, 2007); John B. Thompson, Merchants of Culture: The Publishing Business in the Twenty-First Century (Polity, 2010); Laura J. Miller, Reluctant Capitalists: Bookselling and the Culture of Consumption (U Chicago Press, 2008); Jim Collins Bring on the Books for Everybody: How Literary Culture Became Popular Culture (Duke UP, 2010). Chad is a friend of the pod! He writes about fact checking and literature, and he’s a postdoc in the English Department at NYU. Today’s image is a photograph of the “Staircase of the National Museum of Slovenia” taken by Petar Milošević, posted under a creative commons attribution share-alike license on Wikimedia Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices
What this episode covers
Kim talks with Chad Hegelmeyer about the institutional turn in literary studies. Chad references Jeremy Rosen’s article “The Institutional Turn” from the Oxford Research Encyclopedia of Literature. We also talk about: Sylvia Plath’s The Bell Jar (Harper Collins, 1963), D.A. Miller’s The Novel and the Police (U California Press, 1989), Nancy Armstrong’s How Novels Think (Columbia UP, 2006), Mark McGurl’s The Program Era (Harvard UP, 2011), and Janice Radway’s books, Reading the Romance (UNC Press, 1984) and A Feeling for Books (UNC Press, 1997). Chad quotes several texts referenced by Rosen: Franco Moretti’s Signs Taken for Wonders: On the Sociology of Literary Forms (Verso, 2005) Frederic Jameson, The Political Unconscious: Narrative as a Socially Symbolic Act (Cornell UP, 1982) Mark McGurl. “Ordinary Doom: Literary Studies in the Waste Land of the Present.” New Literary History 41, no. 2 (Spring 2010): 329–349. In the longer version of our conversation, Chad gave several other examples of the “institutional turn” including: James F. English, The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value (Harvard UP, 2005); Claire Squires, Marketing Literature: The Making of Contemporary Writing in Britain (Palgrave, 2007); John B. Thompson, Merchants of Culture: The Publishing Business in the Twenty-First Century (Polity, 2010); Laura J. Miller, Reluctant Capitalists: Bookselling and the Culture of Consumption (U Chicago Press, 2008); Jim Collins Bring on the Books for Everybody: How Literary Culture Became Popular Culture (Duke UP, 2010). Chad is a friend of the pod! He writes about fact checking and literature, and he’s a postdoc in the English Department at NYU. Today’s image is a photograph of the “Staircase of the National Museum of Slovenia” taken by Petar Milošević, posted under a creative commons attribution share-alike license on Wikimedia Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices
NOW PLAYING
Institutions
No transcript for this episode yet