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IRR.APP.(EXT.)

El projecte de MATTHEW WALDRON des de San Francisco beu de l'herència sonora de NURSE WITH WOUND,...

An episode of the Ones de Crom Arxius 15 podcast, hosted by Ones de Crom Arxius 15, titled "IRR.APP.(EXT.)" was published on March 25, 2015 and runs 54 minutes.

March 25, 2015 ·54m · Ones de Crom Arxius 15

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El projecte de MATTHEW WALDRON des de San Francisco beu de l'herència sonora de NURSE WITH WOUND, de l'ambient inquietant, la música concreta, les gravacions de camp i l'electrònica. Darrera unes portades carregades de dissenys simbòlics, tenebrosos i surrealistes s'hi troben multitud de treballs autoeditats amb el propi segell ERRATA IN EXCELSIS i d'altres. Des de l'EP inicial "Dust Pincher Appliances" (1997) i seguint pels treballs "An Uncertain Animal, Ruptured" (1998), "Their Little Bones, Becoming Sharp..." (1999) i "Foreign Matter, Nor Frequency Carrier" (1999) mostrem particularitats d'aquest estil sonor. Amb "Ozeanische Gefühle" (2001) oferia electrònica ambiental, i a "Radiant Black Future" (2001) manipulacions de veus i sons deutors del futurisme, dadaisme i surrealisme. "Angry Eelectric Finger 3 - Mute Bell Extinction Process" (2004) és una manipulació i reinterpretació de material de NURSE WITH WOUND i "Perekluchenie" (2005) i "Josephine & Elsewhere" (2010) dos destacats treballs de la seva carrera. A "4 Oprhans" (2011) recupera temes antics de nou prenent de partida material de NURSE WITH WOUND i a "Orgonosis #4" (2011) sintetitza treballs llargs propis inspirant-se en el psicoanalista i cosmòleg WILHELM REICH.

El projecte de MATTHEW WALDRON des de San Francisco beu de l'herència sonora de NURSE WITH WOUND, de l'ambient inquietant, la música concreta, les gravacions de camp i l'electrònica. Darrera unes portades carregades de dissenys simbòlics, tenebrosos i surrealistes s'hi troben multitud de treballs autoeditats amb el propi segell ERRATA IN EXCELSIS i d'altres. Des de l'EP inicial "Dust Pincher Appliances" (1997) i seguint pels treballs "An Uncertain Animal, Ruptured" (1998), "Their Little Bones, Becoming Sharp..." (1999) i "Foreign Matter, Nor Frequency Carrier" (1999) mostrem particularitats d'aquest estil sonor. Amb "Ozeanische Gefühle" (2001) oferia electrònica ambiental, i a "Radiant Black Future" (2001) manipulacions de veus i sons deutors del futurisme, dadaisme i surrealisme. "Angry Eelectric Finger 3 - Mute Bell Extinction Process" (2004) és una manipulació i reinterpretació de material de NURSE WITH WOUND i "Perekluchenie" (2005) i "Josephine & Elsewhere" (2010) dos destacats treballs de la seva carrera. A "4 Oprhans" (2011) recupera temes antics de nou prenent de partida material de NURSE WITH WOUND i a "Orgonosis #4" (2011) sintetitza treballs llargs propis inspirant-se en el psicoanalista i cosmòleg WILHELM REICH.
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