Is London Really Falling? Bethanne Patrick on Patrick Radden Keefe, Freya India and the Collapse of Book Reviewing

“If criticism isn’t going to be written by one human mind, what else is it for? Criticism done by AI means nothing.” — Bethanne Patrick Is London really falling? Perhaps. This week on Keen On America, everything seems to be falling. There are young men falling from riverside apartments. Girlhood is falling to the commodification of appearance. Book reviewing is falling to AI. Mary Todd Lincoln fell through history as a shrill and inconvenient widow. And just three days ago, Yale historian Ian Shapiro argued that democracy itself has fallen — from the euphoric heights of 1989 to today’s nadir of illiberal populism. One person who never falls is our unfailingly literate friend Bethanne Patrick — book critic at the Los Angeles Times, founder of #FridayReads, and the best-read lady in America. And her May list of recommended reads is full of books about falling. Take, for example, the New York Times bestselling London Falling by Patrick Radden Keefe — a true crime whodunnit about Zac Brettler, a nineteen-year-old who reinvented himself as the son of a Kazakh oligarch and fell to his death from a Thames-side luxury apartment. Then there’s Girls by Freya India on Gen Z and the commodification of girlhood; Make Believe by Mac Barnett, the Children’s Laureate, on storytelling as an art of raising kids; I Am Not a Robot by Joanna Stern on AI as useful tool, not a civilizational menace; and An Inconvenient Widow by Lois Romano which rehabilitates the already fallen Mary Todd Lincoln. And then there’s the fall of book reviewing itself. Where have all the critics gone? New York Times book critic Dwight Garner wrote its obituary this week. But Bethanne Patrick hasn’t fallen. And, last I checked, London is still standing. Five Takeaways •       London Falling: The Oligarchs Were the Problem: Patrick Radden Keefe’s new New York Times bestseller is about Zac Brettler, a nineteen-year-old London boy who reinvented himself as the son of a Kazakh oligarch and fell to his death from a Thames-side luxury apartment. Bethanne’s reading: the most interesting element is not the Brettler family’s grief — sympathetic as they are — but the portrait of a London transformed by money from overseas. Twenty years ago, the worry was economic immigrants. The people who really changed London were the oligarchs. Andrew is sceptical of the neoliberalism-as-villain thesis. Janan Ganesh: London has always been defined by capitalism. •       Girls: The Commodification of Girlhood:  by Freya India (born 1999) argues that Gen Z girls have always been girls — but technology has made the existing anxieties about appearance, body, and social status thousands of times worse. Face-tuning, influencers, targeted advertising, social media bullying. Bethanne’s daughter — summa cum laude in economics — relaxes by watching reality shows about the commodification of female appearance. The book’s parallel with London Falling: both are about young people who cannot escape the mirror of other people’s wealth and image. •       Make Believe: Art for Children, Not Just Books: Mac Barnett, current Children’s Laureate of the Library of Congress, argues in Make Believe that children don’t just need books — they need art. Great literature, beauty, truth. The book echoes Robert Coles’ The Call of Stories and pushes back against the passive consumption of screens. Bethanne’s connection to London Falling: Zac Brettler was a brilliant storyteller. He might have been a writer or filmmaker. But stories have to move you toward caring about other people. They’re not just about taking in — they’re about give and take. •       I Am Not a Robot: AI as Tool, Not Menace: Joanna Stern, the Wall Street Journal’s consumer tech columnist, spent a year using AI for almost everything. The book is a stunt memoir in the tradition of “my year of doing this” — but also genuinely useful. Her verdict: AI is a tool. It’s not good or bad. She wrote every sentence herself but used AI for spell-checking, research, and editing. Meanwhile: the Authors Guild raised close to $900,000 at their annual gala, with David Baldacci giving an impassioned speech about AI and intellectual property. The Chicago Tribune published AI-generated summer reading recommendations that included a Louise Erdrich novel she never wrote. •       Where Have All the Book Reviewers Gone? A Dwight Garner piece in the New York Times cites a 1981 Donald Barthelme story predicting machines doing reviews. Now it’s happening: the New York Times recently discovered a freelance reviewer had been using AI for several reviews. Google Gemini now summarises reviews before you see them. Bethanne Patrick, book critic at the Los Angeles Times, is one of a tiny handful of full-time book critics left. Her verdict: criticism done by a non-human entity misses the point. The point of criticism is judgment. Judgment requires a human mind. About the Guest Bethanne Patrick is a book critic at the Los Angeles Times, founder of #FridayReads, host of the Missing Pages podcast, and the author of Life B: Overcoming Double Depression (Counterpoint, 2023). She is also known as @TheBookMaven on social media. Books Discussed: •       London Falling: A Mysterious Death in a Gilded City and a Family's Search for Truth by Patrick Radden Keefe (Doubleday, April 7, 2026). •       Girls by Freya India (2026). •       Make Believe by Mac Barnett (2026). •       I Am Not a Robot: My Year Using AI to Do Almost Everything by Joanna Stern (2026). •       An Inconvenient Widow: The Torment, Trial, and Triumph of Mary Todd Lincoln by Lois Romano (Simon & Schuster, 2026). About Keen On America Nobody asks more awkward questions than the Anglo-Ame...