EPISODE · Mar 22, 2026 · 1H 14M
Jason Collins/Umbrellabird - The Seers
from C86 Show - Indie Pop · host thec86show
Jason Collins/Umbrellabird in conversation with David Eastaugh https://www.youtube.com/watch?v=Y5uCjjeIi68 The Roots of the Seers lie in two places; Bristol (obviously) and Billericay (not so obviously). Leigh Wildman grew up in Billericay and it was there he met Jason Collins, a guitarist from nearby Brentwood. They had spent some time in bands around the Essex region and they, along with a few friends, had decided to up sticks and try somewhere else. At the suggestion of one of their number, Bristol was decided upon, and a mini Essex invasion took place in the summer of 1984. Adrian Blackmore, or Age, as he was known, had been in the second wave of Bristol’s punk scene, too young to be in bands like the Cortinas, but old enough to be won over by punk’s energy. He picked up the drums quickly and formed Lunatic Fringe with fellow Bristol Punk stalwarts Bear Hackenbush and John Finch. The Bristol punk scene in 1984 was a more cider fuelled version of what Crass was peddling, with a very much Do it yourself vibe. Bands squatted venues like the old Beetle Centre on Stokes Croft and encouraged the squatting of disused houses, which many lived in. It was in one of these squatted houses, Turdy Way, named for the amount of dog shit in the house when it was first squatted, that the Essex invasion landed. After a single and some tracks on a few compilation albums, Age had left Lunatic Fringe (very amicably) and started jamming with Leigh and another of the Essex invasion, Marc Hymas, in a loose knit band called Death Machine. Influenced by T-Rex and Hawkwind, they played a few gigs at the Demolition Ballroom (the name given to the squatted Beetle Centre). After a while, Marc decided he wanted to do something else and played Saxophone with Pigbag sound-a-likes Animal Magic. Leigh and Age decided they liked playing together and enlisted Jason on bass guitar and vocals. Getting more focused, and deciding to add some shared influences in the form of 60’s Garage bands they enrolled a singer, Dean Strange, with Jason providing backing vocals.
What this episode covers
Jason Collins/Umbrellabird in conversation with David Eastaugh https://www.youtube.com/watch?v=Y5uCjjeIi68 The Roots of the Seers lie in two places; Bristol (obviously) and Billericay (not so obviously). Leigh Wildman grew up in Billericay and it was there he met Jason Collins, a guitarist from nearby Brentwood. They had spent some time in bands around the Essex region and they, along with a few friends, had decided to up sticks and try somewhere else. At the suggestion of one of their number, Bristol was decided upon, and a mini Essex invasion took place in the summer of 1984. Adrian Blackmore, or Age, as he was known, had been in the second wave of Bristol’s punk scene, too young to be in bands like the Cortinas, but old enough to be won over by punk’s energy. He picked up the drums quickly and formed Lunatic Fringe with fellow Bristol Punk stalwarts Bear Hackenbush and John Finch. The Bristol punk scene in 1984 was a more cider fuelled version of what Crass was peddling, with a very much Do it yourself vibe. Bands squatted venues like the old Beetle Centre on Stokes Croft and encouraged the squatting of disused houses, which many lived in. It was in one of these squatted houses, Turdy Way, named for the amount of dog shit in the house when it was first squatted, that the Essex invasion landed. After a single and some tracks on a few compilation albums, Age had left Lunatic Fringe (very amicably) and started jamming with Leigh and another of the Essex invasion, Marc Hymas, in a loose knit band called Death Machine. Influenced by T-Rex and Hawkwind, they played a few gigs at the Demolition Ballroom (the name given to the squatted Beetle Centre). After a while, Marc decided he wanted to do something else and played Saxophone with Pigbag sound-a-likes Animal Magic. Leigh and Age decided they liked playing together and enlisted Jason on bass guitar and vocals. Getting more focused, and deciding to add some shared influences in the form of 60’s Garage bands they enrolled a singer, Dean Strange, with Jason providing backing vocals.
NOW PLAYING
Jason Collins/Umbrellabird - The Seers
No transcript for this episode yet
Similar Episodes
No similar episodes found.