Jazz legend, drummer Terri Lyne Carrington, changed how she listened and then centered gender inclusivity in her artistic practice.

Terri Lyne Carrington is one of the most respected jazz musicians in the world. Her drumming career started at the age of 10, which is when she officially got her musicians’ union card, and in the decades since, she’s earned countless accolades, including four Grammys, a Doris Duke Artist Award and an NEW Jazz Masters Fellowship. She has performed on over 100 recordings and has toured and recorded with jazz legends, including Herbie Hancock, Wayne Shorter, Stan Getz and Esperanza Spalding. In recent years she has turned her attention to correcting gender inequities in her field. In 2018 she founded the Berklee Institute of Jazz and Gender Justice at her alma mater, Berklee School of Music in Boston. She remains the Institute’s artistic director, ensuring that new generations of female, trans and non-binary musicians are welcomed to contribute their talents to the genre. She’s also passionate about recognizing the contributions women have already made to jazz. To wit, she edited a recently published collection of music titled “New Standards: 101 Lead Sheets by Women Composers.” Alongside that project, she recorded an album titled “New Standards, Vol. 1” that features several compositions in the book. “New Standards” won Terri Lyne her most recent Grammy, and not surprisingly she plans eventually to record all 101 compositions. Terri Lyne also recently curated a multi-artist multimedia installation titled “New Standards” that initially opened at the Carr Center in Detroit, where she is artistic director. This interview took place the morning after the closing party celebrating the exhibition of “New Standards” at Emerson Gallery of Contemporary Arts in Boston.https://www.terrilynecarrington.com/Hosted on Ausha. See ausha.co/privacy-policy for more information.