Jess Furman

Episode 7 of the STORYOPHONIC podcast, hosted by Lindsay Tomasic & Dan Kimpel, titled "Jess Furman" was published on July 15, 2024 and runs 43 minutes.

July 15, 2024 ·43m · STORYOPHONIC

0:00 / 0:00

Episode Description

Named one of Billboard's Top-40 Industry Shaping Executives, Jess Furman works across multiple sectors: music, film, tech, new media, Web3, and non-profit advocacy. Balancing musical intuition with executive expertise, she has established a notable niche within these ever-accelerating interconnected businesses. In this conversation we take a deep dive into the future of music with an advocate whose commitment to an expansive community of world class creators is profoundly inspiring.

Share this episode

Similar Episodes

Electric Love Childe

Jul 28, 2018 ·30m

Pleasant Machines

Apr 3, 2017 ·35m

Late Call to Uncle Lu (Calling Uncle Lucifer) (2012)

Jun 23, 2015 ·9m

Procession and Hymns for HEKATE (2012)

Jun 22, 2015 ·19m

Dec 31, 2009 ·176m

Dec 24, 2009 ·175m

Similar Podcasts

FM with DJ Vu DJ_Vu Once upon a time, people would listen to static ridden, single channel AM radio. Then came the advent of FM. Full, stereophonic sound. No static at all. FM. Join DJ Vu as he takes you back in time to the birth of FM radio. Simple, stereo, static free, and just a little psychedelic! Sonic Boom Sound Art - recent live stereo electronic effects looping hearthis.at These pieces represent recent projects exhibiting different generation analog and digital effects processors (Electro-Harmonix; DOD/Digitech, etc.) looped together, based on previous schematics utilized from 1984 - 1995 for various live performances and studio recordings.All pieces are recorded live, in stereo with minimal or no post-processing.At some point rack units will be re-introduced into these signal chains incorporating a wider scope of parameters for live manipulation of stereophonic auditory effects.Previous live performances included quadrophonic, on-site, or site specific outdoor performances focusing on the disintegration of any performer-audience/audience-performer dynamic by encouraging audience participants to walk anywhere they wanted to experience the sounds. There were no seats, there was no stage, nor tickets sold. Sounds were directed by speakers at specific locations on buildings, between structures, and open fields, yielding a multiplicity of resonant charac

URL copied to clipboard!