John Mahoney (#145) April, 2007 episode artwork

EPISODE · Apr 9, 2007 · 1H 1M

John Mahoney (#145) April, 2007

from ATW - Downstage Center · host American Theatre Wing

John Mahoney (Tony winner for The House of Blue Leaves in 1986) talks about returning to Broadway after a 20-year hiatus in the Roundabout Theatre production of Prelude to a Kiss, including why he had to be conscious of not making his stage role of The Old Man reminiscent of his long-running TV role as Frasier's father; recounts the story of his emigration to America from Manchester, England and how, at age 37, he suddenly decided to take up acting; recalls his early stage work with the St. Nicholas Theatre and being invited by John Malkovich to join the now-celebrated Steppenwolf Theatre ensemble; explains why he declined to travel to New York with Steppenwolf's productions of And a Nightingale Sang and Balm in Gilead; and remembers his breakthrough performances in Orphans and The House of Blue Leaves, the latter his first major show outside of his Chicago theatre family.

John Mahoney (Tony winner for The House of Blue Leaves in 1986) talks about returning to Broadway after a 20-year hiatus in the Roundabout Theatre production of Prelude to a Kiss, including why he had to be conscious of not making his stage role of The Old Man reminiscent of his long-running TV role as Frasier's father; recounts the story of his emigration to America from Manchester, England and how, at age 37, he suddenly decided to take up acting; recalls his early stage work with the St. Nicholas Theatre and being invited by John Malkovich to join the now-celebrated Steppenwolf Theatre ensemble; explains why he declined to travel to New York with Steppenwolf's productions of And a Nightingale Sang and Balm in Gilead; and remembers his breakthrough performances in Orphans and The House of Blue Leaves, the latter his first major show outside of his Chicago theatre family.

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John Mahoney (#145) April, 2007

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John Mahoney (Tony winner for The House of Blue Leaves in 1986) talks about returning to Broadway after a 20-year hiatus in the Roundabout Theatre production of Prelude to a Kiss, including why he had to be conscious of not making his stage role of...

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