EPISODE · Aug 6, 2025 · 34 MIN
Kim Brandstrup: breaking boundaries
from Why Dance Matters
Kim Brandstrup is a Danish born choreographer whose latest project, Breaking Bach, unites him with the Orchestra of the Age of Enlightenment. Kim often works with leading classical companies, but in Breaking Bach he directs street dancers, some with no previous stage experience. What will they all find in Bach’s exacting rhythms? Kim took an unusual route into choreography – he initially trained in film, before finding that dance was the perfect medium for his narrative impulse. His recent rich, elegant ballets draw on Hans Christian Andersen and timeless Greek myths.Kim Brandstrup studied film at the University of Copenhagen and choreography at London School of Contemporary Dance. He founded his dance company Arc in 1985, forging a narrative style that owes more to his early cinematic training than to classical story ballet or contemporary dance. His has been commissioned by international companies including the Royal Ballet, Les Grands Ballets Canadiens and the Royal Danish Ballet. Throughout his career he has sought a theatre of movement that is both powerful and subtle, creating poignant and suggestive narratives that are intensely human and emotionally revealing.Kim Brandstrup’s website https://kimbrandstrup.org/Breaking Bach at the Edinburgh Festival https://www.eif.co.uk/events/breaking-bachWhy Dance Matters is a dance podcast featuring inspiring conversations with extraordinary people from the world of dance and beyond. Hosted by David Jays, editor of Dance Gazette, this podcast explores how dance shapes lives and why it matters to us all. Brought to you by the RAD, which inspires the world to dance, these insightful stories will surprise and delight. Tune in and discover more on our website. Hosted on Acast. See acast.com/privacy for more information.
What this episode covers
Kim Brandstrup is a Danish born choreographer whose latest project, Breaking Bach, unites him with the Orchestra of the Age of Enlightenment. Kim often works with leading classical companies, but in Breaking Bach he directs street dancers, some with no previous stage experience. What will they all find in Bach’s exacting rhythms? Kim took an unusual route into choreography – he initially trained in film, before finding that dance was the perfect medium for his narrative impulse. His recent rich, elegant ballets draw on Hans Christian Andersen and timeless Greek myths.Kim Brandstrup studied film at the University of Copenhagen and choreography at London School of Contemporary Dance. He founded his dance company Arc in 1985, forging a narrative style that owes more to his early cinematic training than to classical story ballet or contemporary dance. His has been commissioned by international companies including the Royal Ballet, Les Grands Ballets Canadiens and the Royal Danish Ballet. Throughout his career he has sought a theatre of movement that is both powerful and subtle, creating poignant and suggestive narratives that are intensely human and emotionally revealing.Kim Brandstrup’s website https://kimbrandstrup.org/Breaking Bach at the Edinburgh Festival https://www.eif.co.uk/events/breaking-bachWhy Dance Matters is a dance podcast featuring inspiring conversations with extraordinary people from the world of dance and beyond. Hosted by David Jays, editor of Dance Gazette, this podcast explores how dance shapes lives and why it matters to us all. Brought to you by the RAD, which inspires the world to dance, these insightful stories will surprise and delight. Tune in and discover more on our website. Hosted on Acast. See acast.com/privacy for more information.
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Kim Brandstrup: breaking boundaries
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