Korea Tour: ¿Por Qué Corea? with Sofía Ferrero Cárrega episode artwork

EPISODE · Feb 18, 2015 · 1H 5M

Korea Tour: ¿Por Qué Corea? with Sofía Ferrero Cárrega

from Notebook on Cities and Culture

At a coffee house somewhere in Busan, Colin talks with Sofía Ferrero Cárrega, film critic and enthusiast of Korean cinema. They discuss whether she'd recommend other movie-lovers move to Busan; how the Busan International Film Festival attracted her to the city (and the importance of its parties); why, in Busan, "everybody says yes"; the state of Korean film criticism in Spanish; how she first encountered Korean cinema, and how its auteurs got her to know Korea; the bad first impression Korean culture can sometimes give on film; what happens when you mention kimchi in Argentina; why her move to Korea became inevitable; her experience of understanding nothing in Korea even after having studied the language for years before arriving; what makes the dialogue in Hong Sangsoo movies easier to understand than the dialogue in other movies (and why Korea struck her as a real-life Hong Sangsoo movie when she arrived); whether she feels a kinship with Isabelle Huppert's character in In Another Country; the shock of finding out that, in Korea, she's white; the understanding she gets by standing outside society, and the "healthy jealousy" she feels for those inside; the difference between Korean conception of history and the Argentine conception of history; how Korea's heavily advertised matchmaking services speak to the cultural importance of marriage; why to learn about a culture from its independent films, not his mainstream one; how Korean social life "flows" from one place to the next; the role of the Seoul International Women's Film Festival; what happened in the world of Korean film festivals in the wake of the Sewol disaster, and how all the elements aligned to match the national mood; what it felt like to live in a silent Korea; the strong identification within Korean generations; her critical interest in connecting Korean film to the conditions in Korean society; why she waited on reading about Korea until she'd lived here a while, then picked up Michael Breen's The Koreans; the difficulty of explaining Korean food and drink to friends and family back in Argentina; the Korean penchant for "crowded" food and "crowded" web sites; how the culture has turned her "no"s into "ne"s; and what hour she (as well as the Argentine ambassador) woke up to watch the World Cup.

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