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蘭陽有約【美哉愛樂 謝元富音樂廳】Ep.6:如此悲傷,又如此美麗—布拉姆斯_宜蘭愛樂管弦樂團藝術總監謝元富X彭瀞儀_2021.06.11 episode artwork

EPISODE · Jun 11, 2021 · 47 MIN

蘭陽有約【美哉愛樂 謝元富音樂廳】Ep.6:如此悲傷,又如此美麗—布拉姆斯_宜蘭愛樂管弦樂團藝術總監謝元富X彭瀞儀_2021.06.11

from LIBRE DE VOLER 聽書-彭瀞儀

美哉愛樂 謝元富音樂廳 Ep.6:如此悲傷,又如此美麗—布拉姆斯 宜蘭愛樂管弦樂團藝術總監謝元富 X 彭瀞儀 *受限版權,刪去樂曲,文末附上導聆曲目的連結,請自行點選欣賞。 臺灣疫情仍然嚴峻,端午節前民眾紛紛取消返鄉行程,儘管同處一日生活圈,卻無法返鄉探親,因疫情帶來的生離死別,不斷在全世界發生著。 想念卻無法相聚的惆悵,在「音樂建築師」布拉姆斯層層堆砌的旋律結構下,輕輕柔柔卻又濃得化不開。 身形狀碩的布拉姆斯,向來以浪漫主義的手法,承繼古典主義的表現型態,宜蘭愛樂交響樂團藝術總監謝元富今天介紹的第一首曲目,就是其晚年最有名的鋼琴作品118之二的間奏曲,短短旋律的重複與延伸,以及高音聲部、低音聲部的相互呼應,彷彿布拉姆斯與克拉拉的喃喃對話…(《音樂家的無聊人生》:藏在音樂中的心底話,布拉姆斯到底想說什麼? 間奏曲Op.118 no.2) 年輕音樂家布拉姆斯20出頭歲結識了恩師舒曼與鋼琴家克拉拉,這位年輕的音樂家自此直到63歲過世,都只心繫伊人克拉拉。 布拉姆斯的音樂如何穿越時空娓娓訴說著悠悠情愫?請聽【美哉愛樂 謝元富音樂廳】Ep.6:如此悲傷,又如此美麗—布拉姆斯_宜蘭愛樂管弦樂團藝術總監謝元富X彭瀞儀 導聆曲目、 ・第二號A大調間奏曲,作品118 (5’57”) Intermezzo Op. 118, No. 2 in A Major https://www.youtube.com/watch?v=1h4Re5WBEAc ・e小調第4號交響曲,作品98 ( 5’00”) Symphony No. 4 in E Minor, Op. 98 https://www.youtube.com/watch?v=hSq98xi_E8k ・第五號匈牙利舞曲 (2’32”) Hungarian Dance No. 5 https://www.youtube.com/watch?v=QAMxkietiik 【聽書】客座總編 謝元富教授,宜蘭愛樂管弦樂團藝術總監、佛光大學創意與科技學院院長。1988年獲得法國政府音樂獎學金,考取巴黎師範音樂院主修樂團指揮,1990年以第一獎優異成績畢業於巴黎師範音樂院,獲高級指揮家文憑。 1991年回到臺灣,曾任臺北市立交響樂團副指揮,臺北歌劇合唱團和樂友合唱團指揮等,並先後於輔仁大學音樂系、高雄師範大學音樂系及臺東師範學院音樂系任教。在臺東大學服務22年之後,到南華大學與佛光大學任教。 照片提供、 謝元富 王夢真 收聽{聽書} FB|https://reurl.cc/L0RVkL Blog|https://reurl.cc/9Z2x8d Castbox|https://reurl.cc/KxNqgq SoundOn|https://reurl.cc/pmOoEZ

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蘭陽有約【美哉愛樂 謝元富音樂廳】Ep.6:如此悲傷,又如此美麗—布拉姆斯_宜蘭愛樂管弦樂團藝術總監謝元富X彭瀞儀_2021.06.11

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