Las Mañanas de Radio Esquina 04-06-25

Miércoles 04/06/25 "Las Mañanas de Radio Esquina-La Luz y la Voz de Sanlúcar ". Especial Tarde. ️17'00h Juan José Suárez Durán.Difusión de Noticias. ️17'15- 17'30 Alex Rodríguez Caputto."Músicos del Recuerdo"."Juan Pardo". ️17'30-18'00 Rafael Sadoc Hernández. Guionista. ️18'00-18'30 Ana Gómez Díaz-Franzón. Historiadora. ️18'30-19'00 Alberto Benítez Maceas. Vocal del AMPA del Colegio Guadalquivir. ️ 19'15-19'45 Carmen Bejerano Sala. ️19'45-19'50 Antonio Bascuñana Quirell. Médico Internista. Director del Hospital Virgen del Camino. "Las Mañanas de Radio Esquina-La Luz y la Voz de Sanlúcar". Especial Tarde. Presenta Esperanza Franco Pipió. Dirige Juan José Suárez Durán. Síguenos en 97.6 FM, Teléfono de atención al oyente : 633827103 https://www.radioline.co/es/radios/radio_esquina https://liveonlineradio.net/es/radio-esquia-fm https://radioesquina.wordpress.com/ Facebook Esperanza Franco Pipió. ️

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Las Mañanas de Radio Esquina 04-06-25

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Dragnet Entertainment Radio The Dragnet radio show was a groundbreaking and influential police procedural drama that ran on NBC from 1949 to 1957. Here are some key things to know about it:Main Features:Focus: The show followed the cases of Sergeant Joe Friday and his partners, primarily in the Los Angeles Police Department. It depicted the real-life work of detectives, including the tedious investigation process, interviews, stakeouts, and occasional danger.Realism: Jack Webb, the show's creator and star, aimed for authenticity. Episodes were often based on real cases, with details changed to protect the innocent. The dialogue was direct and unvarnished, mimicking the way police officers actually spoke.Famous Intro: The show's opening sequence is iconic: the announcer's voice declaring "This is the city... Los Angeles... California..." followed by the signature "dun-dun-DUN" theme music.Impact:Pioneering Police Procedural: Dragnet is considered a pioneer of

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This episode is 3 hours and 28 minutes long.

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This episode was published on June 4, 2025.

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