Lawrence Matthews Part 1

Born and raised in a lower middle class neighborhood fixed between the Mississippi border, the Memphis city limits and the well off suburbia; Lawrence Matthews’ early life was lived in places, ignored, forgotten and in the liminal interiors of southern family homes and spaces. His life and work exist as an extension of the southern gothic voices with whom he is aligned. He emerges as somewhat of a Morrisonian beloved ghost, a child who desired more. Now, fully grown as a manifestation of his environment’s love and bitterness intertwined. With a BFA from The University of Memphis and a decade long career exhibiting, performing and working with various arts nonprofits, his work in nearly every area of the arts is an amalgamation of his whole life. Visually inspired by Parks, Eggleston, and the regionalistic mythology of Paul Thomas Anderson and early Spike Lee; Matthews’ own visuals weave African spirituality with the Christian mythology that permeates the region. While working as a musician he’d create with the rap, soul and alternative rock references he’d come in contact with through his upbringing. His artistic practice highlights the deep relationship between the often maligned spiritual connections Black people have explored for generations, creating a hauntingly familiar but surreal experience.