LETTERS READ: Bananas Anyone?

Welcome to this reading from a handmade, 1906 photo-album compiled in response to the last documented yellow fever outbreak in New Orleans and the United States.  The podcast is fourteenth in the ongoing, Letters Read project. Readers are William Bowling and Grace Kennedy with audio production by Steve Chyzyk and Sonic Canvas Studio. Antenna is the project’s fiscal partner, and, 2021 is the fifth consecutive season. In photographs and text, “Quarantine Tour of Central America and Panama by Health Authorities as guests of The United Fruit Company” presents the idea that bananas imported by the largest importer of them in the world at that time were safe and did not promote the spread of yellow fever. What was the real purpose for this curious piece of ephemera compiled and produced in New Orleans? Documentation of United Fruit’s best practices in sanitation and mosquito abatement? Merely propaganda? Follow along online in the digitized album at The Historic New Orleans Collection Williams Research Center.  The album is large, slightly crumbling. After the covers and end pieces, it contains 83 individual pages. 69 are photographs, 14 are text, letterpress printed. The cover boards are faux leather, a composite of some sort, and the title gold-foil-stamped on it in a calligraphic lettering style reminiscent of Looney Tunes or Bugs Bunny cartoons titles. The spine is leather in matching burgundy red. The physical article is at The Historic New Orleans Williams Research Center, New Orleans, Louisiana. All of the photographs are black and white, mounted by hand, with a black paper border on alpha-cellulose paper.  Through the album’s lens, we see orderly ports and company towns, infrastructure like steam shovels, roads and railways being constructed; agriculture, maritime, and river industries; hospitals and quarantine stations. New, Colonial-style buildings and, except for members of a few brass bands, a couple of inhabitants of a “Native Hut”—or three, “Hospital Nurses”, “Natives Marketing Bananas”, and soldiers representing the “Honduras Army Stationed at Cortez”, there are very very few locals represented. The only people photographed, pretty much, are white, North American representatives in rumpled suits. Where were all the workers? What were their working conditions? Other than brief textual descriptions of United Fruit’s best practices, not a single practice was photographed.