Lisa Frankenstein Review

Critics are split on this new movie from Zelda Williams and Diablo Cody, but We’re nearly unanimous, Lisa Frankenstein is a good time and you should go see it in theaters. Synopsis Set in the late 80’s, Lisa is the weird new girl in school dealing with the grief of her mothers death and life in a new family with a wicked stepmother and kind of nice yet condescending stepsister. She spends her free hours talking to herself and pining for love in a Bachelor’s cemetery, which is totally a thing. She has the hots for the editor of the school newspaper, and while chatting with him at a party, she drinks a spiked drink and goes into a psychedelic trip during a thunderstorm. Using 80’s logic, the lightning resurrects Lisa’s favorite grave resident unbeknownst to her. From there, it’s that age old tale of the goth girl that keeps a reanimated corpse in the friendzone while they murder people for parts.  Review of Lisa Frankenstein Lisa Frankenstein is a mess, but it’s a fun mess. As of recording, it sits at a solid 50% critics score on Rotten Tomatoes, and I’m honestly not surprised. I predict this one will be divisive, but could ultimately become a cult classic from it’s bizarre campy charm. The premise feels straight from the early filmography of Tim Burton, but unlike Burton, the freshman director Zelda Williams struggles with keeping a consistent style and tone throughout the film. Her background is in music videos, and it really shows in some of the narrative style of the movie, which relies heavily on visual shorthand more than hard earned character development and cause and effect. The script written by Diablo Cody of Juno and Jennifer’s Body fame is the highlight of the film. It taps into a level of snarky and campy humor rarely seen outside of 80’s teen romcoms. Like her other scripts, this one features sharp dialogue and amusing non-sequiters from supporting characters that makes the world fun to watch. The acting is great. Kathrine Newton who plays Lisa shifts from weird nerd to self assured goth murderess with aplomb. Cole Sprouse does great with comedic timing as the mute creature. Liza Soberano walks the line between condescension and likability really well as the step sister. Carla Gugino was the best at bringing the appropriate amount of camp to the stepmother. The main flaws in the movie are the disjointed tone and the arbitrariness of the plot. It would have been nicer to have more effort put into the setups for the major plot shifts and character changes. Without properly establishing cause and effect, the movie can feel confusing. But here’s the thing. With all the nitpicks I could pick at, I was smiling and chuckling throughout the whole movie. I thought it was a blast, and I give it a lot of points for originality.  Score 8/10