'Look I Made a Hat' - Properties Master, Bruce Ferguson

Many production elements contribute to the success of a show. Whether that be the orchestra in a musical, the lighting design in a play or the set and costumes - each has a vital role in creating the world that we invest in. But how many of us notice and appreciate a smaller presence equally as important to demonstrate character and support the narrative? The properties, or props, used in a show give us access to character quirks and offer 'sign posts' to assist the story-telling. These items might include a basket for Maria Von Trapp, a parrot-headed umbrella for Mary Poppins, a phonograph that records for Professor Henry Higgins or a broom stick that releases smoke for the Wicked Witch of the West. To enlighten us about this role in the theatre, I am joined by Properties Master, Bruce Ferguson. Bruce has designed and built props for an expanse of shows that include Wicked, The Addams Family, My Fair Lady, 42nd Street, La Cage Aux Folles and Anything Goes. He also details a career that has embraced unique experiences in photography and hospitality; as well as his dreams for a Drag Museum in Sydney. Bruce shares fascinating insight to the journey undertaken in constructing and 'bringing life' to the objects that support the illusion in which we invest, when sitting in an audience. The Stages podcast is available from Apple podcasts, Spotify, Whooshkaa and where all good podcasts are found.