🔴 慢讀的收穫 | EP33 X 林靖傑 episode artwork

EPISODE · Dec 9, 2022 · 53 MIN

🔴 慢讀的收穫 | EP33 X 林靖傑

from 【黃國珍的podcast】閱讀|未來|雙素養 · host 品學堂文化

說到閱讀,許多人會推崇「快讀」,但是,讀得慢,是不是就不厲害? 「慢讀」如果能夠因此「深讀」,往往更能對作品有更獨特深刻的理解,更富創造力。 🔴本集聆聽重點: ★網路搜尋,為什麼讓人知道很多、理解很少? ★慢讀案例:為什麼王文興老師說,讀《家變》,理想的速度應該在每小時一千字上下,一天不超過兩小時? ★為什麼觀看的角度不同,就會變成不同的故事? ★寫作跟影像創作,不同的地方在哪裡?相同的地方在哪裡? ★本集來賓:林靖傑 導演 曾經以「江邊」為筆名創作小說和散文,在25歲時就獲得聯合報文學獎、時報文學獎首獎。 近年致力於紀錄片創作,是一位擅長把文字鑲嵌在電影裡的專家。 作品有王文興紀錄片《尋找被海的人》、吳晟紀錄片《他還年輕》,近作為《大俠胡金銓》。 ★主持人: 黃國珍老師 品學堂創辦人,《閱讀理解》學習誌總編輯兼設計思考者。 透過一年200場演講與教育現場對話,深耕閱讀素養,為課堂注入跨域創意與深度思考,許願學生能成為「面對真實情境、解決真實問題」的終身學習者。 🎧APPLE Podcast https://apple.co/3Lu1MUH 🎧Google Podcast https://bit.ly/3LL5Ykc 🎧更多收聽連結: https://linktr.ee/wisdomhall101 #黃國珍的podcast #林靖傑#王文興#家變#米蘭昆德拉#生命中不能承受之輕# 布萊希特戲劇論#閱讀雙素養 #雙閱讀素養#閱讀未來雙素養 -- Hosting provided by SoundOn

說到閱讀,許多人會推崇「快讀」,但是,讀得慢,是不是就不厲害? 「慢讀」如果能夠因此「深讀」,往往更能對作品有更獨特深刻的理解,更富創造力。 🔴本集聆聽重點: ★網路搜尋,為什麼讓人知道很多、理解很少? ★慢讀案例:為什麼王文興老師說,讀《家變》,理想的速度應該在每小時一千字上下,一天不超過兩小時? ★為什麼觀看的角度不同,就會變成不同的故事? ★寫作跟影像創作,不同的地方在哪裡?相同的地方在哪裡? ★本集來賓:林靖傑 導演 曾經以「江邊」為筆名創作小說和散文,在25歲時就獲得聯合報文學獎、時報文學獎首獎。 近年致力於紀錄片創作,是一位擅長把文字鑲嵌在電影裡的專家。 作品有王文興紀錄片《尋找被海的人》、吳晟紀錄片《他還年輕》,近作為《大俠胡金銓》。 ★主持人: 黃國珍老師 品學堂創辦人,《閱讀理解》學習誌總編輯兼設計思考者。 透過一年200場演講與教育現場對話,深耕閱讀素養,為課堂注入跨域創意與深度思考,許願學生能成為「面對真實情境、解決真實問題」的終身學習者。 🎧APPLE Podcast https://apple.co/3Lu1MUH 🎧Google Podcast https://bit.ly/3LL5Ykc 🎧更多收聽連結: https://linktr.ee/wisdomhall101 #黃國珍的podcast #林靖傑#王文興#家變#米蘭昆德拉#生命中不能承受之輕# 布萊希特戲劇論#閱讀雙素養 #雙閱讀素養#閱讀未來雙素養 -- Hosting provided by SoundOn

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🔴 慢讀的收穫 | EP33 X 林靖傑

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Frequently Asked Questions

How long is this episode of 【黃國珍的podcast】閱讀|未來|雙素養?

This episode is 53 minutes long.

When was this 【黃國珍的podcast】閱讀|未來|雙素養 episode published?

This episode was published on December 9, 2022.

What is this episode about?

說到閱讀,許多人會推崇「快讀」,但是,讀得慢,是不是就不厲害? 「慢讀」如果能夠因此「深讀」,往往更能對作品有更獨特深刻的理解,更富創造力。 🔴本集聆聽重點: ★網路搜尋,為什麼讓人知道很多、理解很少? ★慢讀案例:為什麼王文興老師說,讀《家變》,理想的速度應該在每小時一千字上下,一天不超過兩小時? ★為什麼觀看的角度不同,就會變成不同的故事? ★寫作跟影像創作,不同的地方在哪裡?相同的地方在哪裡? ★本集來賓:林靖傑 導演...

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