Man Parrish episode artwork

EPISODE · May 11, 2024 · 1H 36M

Man Parrish

from C86 Show - Indie Pop · host thec86show

Man Parrish in conversation with David Eastaugh https://www.manparrish.com Parrish's early live shows at Bronx hip-hop clubs were spectacles of lights, glitter, and pyrotechnics, which drew as much from the Warhol mystique as the Cold Crush Brothers. His first release was "Hip Hop, Be Bop (Don't Stop)" issued in 1982, which Parrish said faced a racial backlash from the African-American hip hop community: "I was making the music that they played, and then they found out I was white and gay they pulled it. It didn't hurt sales but it was shocking." The song was featured in the film Shaun of the Dead, the video game Grand Theft Auto: Vice City which sold millions of copies. It was sampled in Sway & King Tech's 1991 song "Follow 4 Now", from their second album, Concrete Jungle. His biggest chart success in the UK was his recording of "Male Stripper" with Man 2 Man, which peaked at No. 4 in the UK Singles Chart

Man Parrish in conversation with David Eastaugh https://www.manparrish.com Parrish's early live shows at Bronx hip-hop clubs were spectacles of lights, glitter, and pyrotechnics, which drew as much from the Warhol mystique as the Cold Crush Brothers. His first release was "Hip Hop, Be Bop (Don't Stop)" issued in 1982, which Parrish said faced a racial backlash from the African-American hip hop community: "I was making the music that they played, and then they found out I was white and gay they pulled it. It didn't hurt sales but it was shocking." The song was featured in the film Shaun of the Dead, the video game Grand Theft Auto: Vice City which sold millions of copies. It was sampled in Sway & King Tech's 1991 song "Follow 4 Now", from their second album, Concrete Jungle. His biggest chart success in the UK was his recording of "Male Stripper" with Man 2 Man, which peaked at No. 4 in the UK Singles Chart

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This episode was published on May 11, 2024.

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Man Parrish in conversation with David Eastaugh https://www.manparrish.com Parrish's early live shows at Bronx hip-hop clubs were spectacles of lights, glitter, and pyrotechnics, which drew as much from the Warhol mystique as the Cold Crush...

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