Manfred - Lord Byron

Unleashed academics, tutors, and ornamental hermits Alice and Rowan do a deep dive into dark hero archetypes on a semi-weekly basis. On this episode they begin their discussion of Gothic villains by examining Byron’s 1817 closet drama Manfred and its debt to the Gothic tradition. The pair discuss Byron’s life, work, and experimentation with dark hero archetypes, and whether there is actually such as thing as a Byronic Hero. They consider the way Byron experiments with Dark Heroism by combining existing heroic archetypes and traditions such as The Wandering Jew, the Child of Nature, The Hero of Sensibility, Prometheus, Satan, the Gothic Villain and Faustus. Next time, they examine Lord Byron’s Cain (1821) Links Find us on Instagram: https://www.instagram.com/ofthedevilsparty/ Email us at: [email protected] Find us on Academia: https://monash.academia.edu/AliceCapstick Unseen Academicals Podcast: https://unseenacademicals.sounder.fm/ Discussed and Recommended Sources Boyd, Brian. On the Origin of Stories: Evolution, Cognition, and Fiction.Cambridge MA: Harvard University Press, 2009. Burwick, Frederick. "Lord Byron’s Faustian Plays Manfred (1817), Cain (1821), and the Deformed Transformed (1822)." In Faust Adaptations from Marlowe to Aboudoma and Markland, edited by Lorna Fitzsimmons. West Lafayette: Purdue University Press, 2016. Byron, Lord. The Major Works. Edited by Jerome McGann. Oxford: Oxford University Press, 1986. Callaghan, Madeleine. "The Struggle with Language in Byron’s Cain." The Byron Journal 38, no. 2 (2010): 125-34. Chew, Samuel C. The Dramas of Lord Byron. New York: Russell and Russell, 1964. Cochran, Peter. The Gothic Byron. Cambridge: Cambridge Scholars Publishing, 2009. Erickson, Mark T. "Rethinking Oedipus: An Evolutionary Perspective of Incest Avoidance." The American journal of psychiatry 150, no. 3 (1993): 411–16. Hewitt, Ben. Byron, Shelley, and Goethe’s Faust an Epic Connection. New York: Modern Humanities Research Association and Routledge, 2015. Lieberman, Debra, John Tooby, and Leda Cosmides. "Does Morality Have a Biological Basis? An Empirical Test of the Factors Governing Moral Sentiments Relating to Incest." Proceedings of the Royal Society 270, no. 1517 (2003): 819-26. MacCarthy, Fiona. Byron Life and Legend. London: John Murray, 2002. McGann, Jerome. Fiery Dust. Chicago: University of Chicago Press, 1968. ———. "‘My Brain Is Feminine’: Byron and the Poetry of Deception." In Byron: Augustan and Romantic, edited by Andrew Rutherford. London: MacMillan, 1990. ———. The Romantic Ideology. Chicago: University of Chicago Press, 1983. McGann, Jerome, James Soderholm, Marilyn Butler, and James Chandler, eds. Byron and Romanticism. Cambridge: Cambridge University Press, 2002. Rank, Otto. The Incest Theme in Literature and Legend. London: Johns Hopkins University Press, 1992. Rutherford, Andrew, ed. Byron: Augustan and Romantic. London: The MacMillan Press, 1990. Schock, Peter. Romantic Satanism. New York: Palgrave Macmillan, 2003. Thorslev, Peter L. "Incest as Romantic Symbol." Comparative Literature Studies 2, no. 1 (1965): 41-58. ———. The Byronic Hero. Minneapolis: University of Minnesota Press, 1965. Tuite, Clara. Lord Byron and Scandalous Celebrity. Cambridge: Cambridge University Press, 2015. Wesche, Ulrich. "Goethe's 'Faust' and Byron's 'Manfred': The Curious Transformation of a Motif