EPISODE · Aug 10, 2020 · 1H 57M
May the force Be With KPM
from Bossa bom dia [Tilos Rádió podcast] · host Tilos Rádió
May the force Be With KPM (mixcloud)[see the more simple/traditional style tracklist – with only the artists’ names and track titles – below, at the bottom of this post, thanks]01. Alan Parker / Alan Hawkshaw – Autopulse (“Complex mechanical rhythm”) 1:41from Beat Industrial, KPM1079: “New sounds specially conecived for documentary and industrial application”02. John Cameron – Underlying Expectancy (“Light neutral underscore with underlying tension”) 4:14from Jazzrock, BEWITH059LP/KPM1097: “A dramatic suite of themes, montages, sequences and generics”03. Jean Bouchéty – Taking Off (version 1) (“Powerful uptempo theme featuring voices”) 2:31from The Magic of Bouchety, KPM1109: “Spectacular contemporary themes scored for full orchestra”04. Johnny Pearson – Action in Memphis (“Vibrant theme with plenty of points for exciting cutting”) 2:11from Life Is For Living, KPM1110: “Impact themes for titles and montages”05. Alan Hawkshaw – Traffic (“Forceful underscore with cutting points”) 3:12from Move With The Times, KPM 1122: “Contemporary, brash, aggressive”06. John Cameron – Swamp Fever (“Heavy funky pop with Afro percussion”) 2:07from Afro Rock, BEWITH058LP/KPM1130: “Hard Afro pop featuring large percussive rhythm section and front line”07. Brian Bennett – Image (“Reflective scenic underscore which grows to full orchestra. Ends as beginning”) 4:29from Image, KPM1141: “Imaginitive descriptive scores, active and passive”08. Brian Bennett – The Investigator (“Aggressive medium pace underscore”) 3:22from The Hunter (Drama Suite) / Adventure Story, BEWITH072LP/KPM1157: “Composite theme and incidental cues for drama application”15:3009. Dave Richmond – Confunktion (“Heavy fuzz guitar riff escalation to climax at 0:40; bizarre middle section, reverting to fuzz build, and sustained tail”) 4:33from Rock Spectrum, KPM1163: “Varied styles in contemporary rock and pop music”10. Alan Hawkshaw – Towards Tomorrow (“Building sequences. Starts quiet anticipation, grows to full exuberant theme”) 3:13from Sounds Of The Times, KPM1170: “Contemporary scores featuring strong rhythm section with brass, woodwind or strings”11. Brian Bennett – Corridors Of Power (“Brass fanfare to gradual build from solo guitar to full orechestra – achievement motif”) 3:35from Impact, KPM1171: “Hard-hitting dramatic themes in a serious vein”12. Brian Bennett – Nuplex (“Punctuated intercuttin underscore with reflective elements”) 3:59from Visual Impact, BEWITH071LP/KPM1172: “Descriptive scores for scenes of visual impact”13. James Clarke – Life Of Luxury (“Rich, luxurient”) 2:25from Tender Emotions, KPM1180: “Tender and romantic orchestral moods”14. Keith Mansfield – Crash Course (“Building Brass to fast dangerous action or chase”) 2:40from Vivid Underscores, KPM1190: “Contemporary scores for visual effect”15. Alan Hawkshaw – Mystique Vocage (“Exotic dreamy”) 2:45from The Road Forward, KPM1192: “A comprehensive collection of descriptive contemporary scores”16. S. Benson – God Rest You Merry Gentlemen (“Traditional opening into contemporary arrangement”) 2:00from The Spirit of Christmas, KPM1213: “The Vocal and Instrumental Celebration of Christmas in Traditional Modern Styles”17. Alan Parker / Alan Hawkshaw – Day Shift (“Light percussive activity”) 1:54 (Beat Industrial, KPM1079) 1:5418. John Cameron – No Place To Go (“Light reflective underscore with activity”) (Jazzrock, BEWITH059LP/KPM1097) 2:5216:0019. Jean Bouchéty – Chicago Generator (“Heavy medium pace flamboyant rock”) (The Magic of Bouchety, KPM1109) 2:5020. Johnny Pearson – Back Beat (“Aggressive percussive theme”) (Life Is For Living, KPM1110) 1:5321. Alan Hawkshaw – Here Comes The Blues (“Slow groovy organ solo”) (Move With The Times, KPM 1122) 3:3022. John Cameron – Afro Metropolis (“Busy rhythmic underscore – Afro percussion”) (Afro Rock, BEWITH058LP/KPM1130) 2:3423. D. Gold / G. Rees – Forbidden Fruit (“Evocative dramatic theme”) (Image, KPM1141) 2:1924. Brian Bennett – Hideout (“Suspensed tension. Build to tail end”) (The Hunter (Drama Suite) / Adventure Story, BEWITH072LP/KPM1157) 2:5525. Brian Bennett – Samba School (“Festive samba”) (Rock Spectrum, KPM1163) 2:2026. Alan Hawkshaw – Challenger (“Smooth front line over brooding insistent rhythm”) (Sounds Of The Times, KPM1170) 4:1827. Chris Gunning – Tough Assignment (“Tough, affressive”) (Impact, KPM1171) 2:3328. John Scott – Canaveral Scape (“Massive objects”) (Visual Impact, BEWITH071LP/KPM1172) 2:4229. James Clarke – Tenderly Yours (“Warm, pleasant”) (Tender Emotions, KPM1180) 2:3816:3030. Keith Mansfield – Dawn of Aquarius (“Impressive, futuristic, grandiose”) (Vivid Underscores, KPM1190) 2:5031. Alan Hawkshaw – Man Of Means (“Sophisticated enjoyment”) (The Road Forward, KPM1192) 3:1232. Alan Parker / Alan Hawkshaw – Soft Image b. (“As above with brass drone”) (Beat Industrial, KPM1079) 2:1433. John Cameron – Four O’Clock Earthquake (“Powerful uptempo theme written in sequences of progressive builds to full climax”) (Jazzrock, BEWITH059LP/KPM1097)34. Johnny Pearson – Thunderbird (“Determined exciting action”) (Life Is For Living, KPM1110) 2:0235. Alan Hawkshaw – Undergroove (“Determined mechanical underscore”) (Move With The Times, KPM 1122) 2:2836. John Cameron – Survival (“Heavy pounding Afro pop rhythm under flute melody”) (Afro Rock, BEWITH058LP/KPM1130) 2:4937. Neil Richardson – Crystal Ball (“Static scenes – quizical”) (Image, KPM1141) 2:3838. Brian Bennett – Speed Trap (“Forceful chase or fight”) (The Hunter (Drama Suite) / Adventure Story, BEWITH072LP/KPM1157) 0:5339. Brian Bennett – Quantum (“Bizarre wild sounds over insistant pop rhythm” (Rock Spectrum, KPM1163) 4:5540. Alan Hawkshaw – Sunshine Special (“Happy, exuberant”) (Sounds Of The Times, KPM1170) 1:5541. Keith Mansfield – The Contract (“Rugged medium pace dramatic theme”) (Impact, KPM1171) 3:2517:0042. John Scott – Flight Of The Phoenix (“Incessant emergence”) (Visual Impact, BEWITH071LP/KPM1172) 2:4917:02:41Baris K Turkish ’80s-’90s music mix from radio BIS May the force Be With KPM (mixcloud)01. Alan Parker / Alan Hawkshaw – Autopulse02. John Cameron – Underlying Expectancy03. Jean Bouchéty – Taking Off (version 1)04. Johnny Pearson – Action in Memphis05. Alan Hawkshaw – Traffic06. John Cameron – Swamp Fever07. Brian Bennett – Image08. Brian Bennett – The Investigator09. Dave Richmond – Confunktion10. Alan Hawkshaw – Towards Tomorrow11. Brian Bennett – Corridors Of Power12. Brian Bennett – Nuplex13. James Clarke – Life Of Luxury14. Keith Mansfield – Crash Course15. Alan Hawkshaw – Mystique Vocage16. S. Benson – God Rest You Merry Gentlemen17. Alan Parker / Alan Hawkshaw – Day Shift18. John Cameron – No Place To Go19. Jean Bouchéty – Chicago Generator20. Johnny Pearson – Back Beat21. Alan Hawkshaw – Here Comes The Blues22. John Cameron – Afro Metropolis23. D. Gold / G. Rees – Forbidden Fruit24. Brian Bennett – Hideout25. Brian Bennett – Samba School26. Alan Hawkshaw – Challenger27. Chris Gunning – Tough Assignment28. John Scott – Canaveral Scape29. James Clarke – Tenderly Yours30. Keith Mansfield – Dawn of Aquarius31. Alan Hawkshaw – Man Of Means32. Alan Parker / Alan Hawkshaw – Soft Image b.33. John Cameron – Four O’Clock Earthquake34. Johnny Pearson – Thunderbird35. Alan Hawkshaw – Undergroove36. John Cameron – Survival37. Neil Richardson – Crystal Ball38. Brian Bennett – Speed Trap39. Brian Bennett – Quantum40. Alan Hawkshaw – Sunshine Special41. Keith Mansfield – The Contract42. John Scott – Flight Of The Phoenix library kpm funk jazz beat break turkaszemle vinyl
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May the force Be With KPM
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