Maynard James Keenan (Tool) with Daniel Ash episode artwork

EPISODE · Feb 5, 2026 · 50 MIN

Maynard James Keenan (Tool) with Daniel Ash

from Talkhouse Podcast · host Talkhouse

I might overuse this word a little bit, but on this week’s episode we do have a true pair of legends in conversation on the Talkhouse Podcast this week: Maynard James Keenan and Daniel Ash. Keenan is of course best known as the frontman for Tool, the dark, complex, heavy band he formed way back in 1990—but whose records come few and far between. Keenan is also the frontman for A Perfect Circle, but the reason for today’s chat is yet another band, Puscifer. This one started out almost as a solo outlet for Keenan’s weirdest ideas: There are comedic elements, and—fun fact—Puscifer actually sprung to life as part of a Mr. Show sketch. (Google it, it’s a good story.) But the band has evolved over the years into a steady trio that features Keenan alongside Carina Round and Mat Mitchell, and that more recently has explored Keenan’s most theatrical and straightforward impulses. It’s funny, weird, and heavy, and the brand new Puscifer album, Normal Isn’t, even nods sonically to UK post-punk bands like Killing Joke. Check out “Self Evident” right here. The other half of today’s conversation is Daniel Ash, whose resume also includes a remarkable number of incredible bands, starting with Bauhaus, moving directly into Tones on Tail, and then heading for a long stretch into Love and Rockets, which reunited a couple of years ago for some very welcome shows. Ash’s guitar playing over the years has been quietly influential on a ton of players; you can hear his tone in a remarkable swath of bands. Last year, he released the first album by his latest outfit, Ashes & Diamonds. Called Ashes & Diamonds Are Forever, it’s unmistakably Ash’s voice and tone, though in some flashier dressing on occasion. It’s a lot of fun. Check out “Teenage Robots” right here. In this wide-ranging conversation, Ash and Keenan talk about Keenan’s wine business—he was nice enough to send Ash some bottles in advance of this chat—as well as touring, making videos, and the seemingly inevitable future of AI. Ash thinks it’s going to be good, so even if he’s wrong, it’s nice to hear some optimism. Ash is also obsessed with motorcycles, leading Keenan to suggest an intervention. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Maynard James Keenan and Daniel Ash for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform and check out all the other great shows in our network. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by The Range. See you next time! Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

I might overuse this word a little bit, but on this week’s episode we do have a true pair of legends in conversation on the Talkhouse Podcast this week: Maynard James Keenan and Daniel Ash. Keenan is of course best known as the frontman for Tool, the dark, complex, heavy band he formed way back in 1990—but whose records come few and far between. Keenan is also the frontman for A Perfect Circle, but the reason for today’s chat is yet another band, Puscifer. This one started out almost as a solo outlet for Keenan’s weirdest ideas: There are comedic elements, and—fun fact—Puscifer actually sprung to life as part of a Mr. Show sketch. (Google it, it’s a good story.) But the band has evolved over the years into a steady trio that features Keenan alongside Carina Round and Mat Mitchell, and that more recently has explored Keenan’s most theatrical and straightforward impulses. It’s funny, weird, and heavy, and the brand new Puscifer album, Normal Isn’t, even nods sonically to UK post-punk bands like Killing Joke. Check out “Self Evident” right here. The other half of today’s conversation is Daniel Ash, whose resume also includes a remarkable number of incredible bands, starting with Bauhaus, moving directly into Tones on Tail, and then heading for a long stretch into Love and Rockets, which reunited a couple of years ago for some very welcome shows. Ash’s guitar playing over the years has been quietly influential on a ton of players; you can hear his tone in a remarkable swath of bands. Last year, he released the first album by his latest outfit, Ashes & Diamonds. Called Ashes & Diamonds Are Forever, it’s unmistakably Ash’s voice and tone, though in some flashier dressing on occasion. It’s a lot of fun. Check out “Teenage Robots” right here. In this wide-ranging conversation, Ash and Keenan talk about Keenan’s wine business—he was nice enough to send Ash some bottles in advance of this chat—as well as touring, making videos, and the seemingly inevitable future of AI. Ash thinks it’s going to be good, so even if he’s wrong, it’s nice to hear some optimism. Ash is also obsessed with motorcycles, leading Keenan to suggest an intervention. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Maynard James Keenan and Daniel Ash for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform and check out all the other great shows in our network. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by The Range. See you next time! Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

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This episode is 50 minutes long.

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This episode was published on February 5, 2026.

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I might overuse this word a little bit, but on this week’s episode we do have a true pair of legends in conversation on the Talkhouse Podcast this week: Maynard James Keenan and Daniel Ash. Keenan is of course best known as the frontman for Tool,...

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