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EPISODE · May 13, 2021 · 5 MIN

Melody Rhythm Rule

from Ray Harmony · host Hack Music Theory

Melody Rhythm Rule Learn how to avoid this rhythmic fault that many songwriters and producers make in their melodies. But first... Tea! Hello revolutionary music makers, we are Kate and Ray Harmony (AKA Revolution Harmony), and welcome to Hack Music Theory, the fast, easy and fun way to make music! If you’re new to theory, or if you just want a refresher, then read our free book "12 Music Theory Hacks to Learn Scales & Chords". It’ll give you a super solid music theory foundation in just 30 minutes. The free download is below. Enjoy! The Fault Firstly, just to clarify. A fault is not a mistake! Music is an art, so if you’re making music from your heart, then there cannot be any mistakes. But, when songwriters and producers don’t understand theory, which is the grammar of music, they’re not able to fully express themselves. Just like if someone was trying to write a poem in a language they didn’t speak. The resulting work of art will undoubtedly have weaknesses. And a fault is defined as a weakness. So, what’s the fault in this melody? Well, it sounds completely lifeless, right? It’s totally lacking in vital energy. What’s causing that? Rhythm! Or rather, a lack thereof. Unfortunately for rhythm, it’s usually the overlooked element in a melody. Indeed, songwriters and producers often seem to forget that melody actually contains two elements: pitch and rhythm. To hear this in action, just listen to the New Music Friday playlist on Spotify every week. It’s clear that the rhythms of most melodies are an afterthought, at best. I’ve worked with countless songwriters and producers who’ve ended up at the horribly frustrating point of wanting to delete a melody, cos they just can’t get it sounding right. Up until that point though, they’d spent all their time trying to fix the pitches, but they’d not once considered that maybe it’s the rhythm that needs fixing. So, after bringing their attention to the forgotten element of rhythm, a few small tweaks later, and they’ve fallen in love with the exact same melody they were about to delete. So next time you’re frustrated and tempted to delete a melody, try experimenting with its rhythm instead, and see if you can save it! The Fix Now you’re probably wondering what exactly makes a good rhythm. Well first, it’s important to remember that a rhythm is a pattern in time. And just like with all other patterns, our human brains get bored if there’s too much repetition, and they get overwhelmed if there’s too much variety. Therefore, good rhythms (like all good patterns), enjoy a pleasing yet interesting balance of repetition and variety. Most melodies these days do not have any problem with repetition, it’s the lack of variety that causes their weakness. Variety in a melody is created by using many different note values, and most importantly, syncopation. Syncopation is when you accent an off-beat, and it puts a real spring in your melody’s step, bringing it to life. For example, in the first three beats of our rhythm, we moved two on-beat notes to off-beats. The difference that this small tweak makes to our melody is truly unbelievable! You can hear it’s already being revived, and we’re only in the first bar. And by the way, our example is in the key of A minor, which is all the white notes from A to A, and the tempo is 95 BPM. Now, you’re probably wondering how to tell if your melody’s rhythm is boring. Easy, you give it the one-note test. You see, removing the pitch element of your melody will expose its rhythm. In other words, if your melody is captivating when played on one pitch, then it has a good rhythm. If it sounds boring on one pitch, then you need to work on its rhythm. The Rule So to conclude. Our Melody Rhythm Rule is that your melody should still sound good when played on only one pitch. And the best way to do that is to ensure that your melody’s rhythm balances repetition and variety, and includes some syncopation. Lastly, if you need more help writing melodies, then simply use our "Melody Checklist", which tells you exactly what to do and what not to do in your melodies. The "Melody Checklist" can be found in our Songwriting & Producing PDF. Thanks for being here in the Hack Music Theory community, we really appreciate you, and we'll see you next time. Until then, we're sending you good vibes and gratitude :) Free Download Wooohooo!!! You’re a mere 30 minutes away from being even smarter than you already are. Just head on over to your inbox now for your free download. There was an error submitting your subscription. Please try again. “The most brilliant, fast, easy & fun music theory book I’ve ever seen!” DEREK SIVERS, CD Baby founder We use this field to detect spam bots. If you fill this in, you will be marked as a spammer. 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Episode metadata supplied by the publisher feed · Published May 13, 2021

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Melody Rhythm Rule

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Salute the Songbird with Maggie Rose Maggie Rose Grammy-nominated singer-songwriter Maggie Rose invites the listener into her world as an independent artist in the world of music. Maggie hosts candid conversations with her female musical heroes about their lives in and out of music who are challenging the status quo and changing the game for those coming up behind them. Guests include icons like Heart’s Nancy Wilson, Halestorm’s Lzzy Hale, Martina McBride, Melissa Etheridge, Indigo Girls' Amy Ray, Ani DiFranco, Yola, Allison Russell, Ashley McBryde and more. Season 4 brings the listener into the room as episodes are recorded in front of a live audience. Upcoming guests include Grace Bowers, Emily Ann Roberts, Sunny Sweeney, Brittney Spencer, Molly Tuttle, and more. Hailed for her “powerhouse vocals” by People Magazine, singer-songwriter Maggie Rose was nominated for a Best Americana Album Grammy for her widely acclaimed album No One Gets Out Alive. Rolling Stone named it one of the best albums of 2024 so far, TomCattt Thomas Patton From the beginning music has prowled with accordion lessons at a young age, followed by sax, blues harp and more recently piano, vocals, song writing and recording. Thomas Patton (AKA TomCattt) credits his mother for his stage name "TomCattt” as she was big on nick names for those she held close to her heart. TomCattt's music is best described as easy listening and sometimes retro, yet with a contemporary mix and feel. Accompanied by the creative tracks of a number of gifted musicians, his first album Hiiyaaaaaaaaaaa inspires imagination and finds a way to impress with a unique vocal sound, compelling harmony and gripping melody. The lyrical content is in fact a living reflection of this artists emotional journey that followed leaving love, finding a new love only to lose love once again. Hiiyaaaaaaaaaaa was released on June 1st, 2013 and all are invited to Soundcloud, Bandcamp, ReverbNation and Cdbaby where "A Question" is free download and to enjoy TomCattt's website tomcattt.com.

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