Mike Rouse (Sony, Ubisoft, Microsoft & Anstream) - Interview

Episode 217 of the Arcade Attack Retro Gaming Podcast podcast, hosted by Arcade Attack, titled "Mike Rouse (Sony, Ubisoft, Microsoft & Anstream) - Interview" was published on September 8, 2021 and runs 65 minutes.

September 8, 2021 ·65m · Arcade Attack Retro Gaming Podcast

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Summary

We love all our interviewees, this is fact. But every now and then we’ll have someone on who really blows us away. Mike Rouse’s work is phenomenal. One of Sony’s brightest talents he went on to help The Getaway (PS2) win a BAFTA in one of his first jobs. Stellar work at Ubisoft and Microsoft followed so he’s quite a story to tell. Mike is now working at Antstream and helping keep retro gaming alive! Mike shares some amazing stories in this lovely podcast chat. Like what we do? Please support us on Patreon: www.patreon.com/arcadeattack Fancy discussing this podcast? Fancy suggesting a topic of conversation? Please tweet us @arcadeattackUK or catch us on facebook.com/arcadeattackUK All copyrighted material contained within this podcast is the property of their respective rights owners and their use here is protected under ‘fair use’ for the purposes of comment or critique.

Episode Description

We love all our interviewees, this is fact. But every now and then we’ll have someone on who really blows us away. Mike Rouse’s work is phenomenal.

One of Sony’s brightest talents he went on to help The Getaway (PS2) win a BAFTA in one of his first jobs. Stellar work at Ubisoft and Microsoft followed so he’s quite a story to tell.

Mike is now working at Antstream and helping keep retro gaming alive!

Mike shares some amazing stories in this lovely podcast chat.

Like what we do? Please support us on Patreon: www.patreon.com/arcadeattack

Fancy discussing this podcast? Fancy suggesting a topic of conversation? Please tweet us @arcadeattackUK or catch us on facebook.com/arcadeattackUK

All copyrighted material contained within this podcast is the property of their respective rights owners and their use here is protected under ‘fair use’ for the purposes of comment or critique.