EPISODE · Sep 1, 2025 · 45 MIN
Mike Rutherford - Smallcreep's Day: A Genesis album in a parallel universe?
from Classic Rock And Prog Almanac · host timothyappleton
This week Tim discussed side one of Mike Rutherford’s first solo album, Smallcreep’s Day. Topics covered include: the playing on the album, the programmatic implications of the Smallcreep’s Day Suite, the differences between Smallcreep’s Day and Supper’s Ready by Genesis, and the decisive use of suspended chords on the album. Also, why is the cover better than the source material? Is Rutherford a romantic or a transcendental idealist? What exactly is the problem with the Marxist concept of alienation? How many apotheoses are required in a 24-minute piece? How is Smallcreep like James Bond? And how do you say “thief” in Spanish?
What this episode covers
This week Tim discussed side one of Mike Rutherford’s first solo album, Smallcreep’s Day. Topics covered include: the playing on the album, the programmatic implications of the Smallcreep’s Day Suite, the differences between Smallcreep’s Day and Supper’s Ready by Genesis, and the decisive use of suspended chords on the album. Also, why is the cover better than the source material? Is Rutherford a romantic or a transcendental idealist? What exactly is the problem with the Marxist concept of alienation? How many apotheoses are required in a 24-minute piece? How is Smallcreep like James Bond? And how do you say “thief” in Spanish?
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Mike Rutherford - Smallcreep's Day: A Genesis album in a parallel universe?
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