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EPISODE · Feb 12, 2012 · 14 MIN

Milton Babbitt's Philomel

from Radio 3's Fifty Modern Classics · host BBC Radio 3

Jazz pianist Ethan Iverson nominates Milton Babbitt's Philomel for soprano and tape, "a classic record that should be owned by all fans of the avant-garde"; Paul Griffiths explains how Babbitt used the timbral and rhythmic resources of the Mark II RCA Sound Synthesizer to help realise his own brand of twelve-tone music. And we hear the voice of the composer himself from recordings made by the BBC in the 1960s.

Episode metadata supplied by the publisher feed · Published Feb 12, 2012

What this episode covers

Jazz pianist Ethan Iverson nominates Milton Babbitt's Philomel for soprano and tape, "a classic record that should be owned by all fans of the avant-garde"; Paul Griffiths explains how Babbitt used the timbral and rhythmic resources of the Mark II RCA Sound Synthesizer to help realise his own brand of twelve-tone music. And we hear the voice of the composer himself from recordings made by the BBC in the 1960s.

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Frequently Asked Questions

How long is this episode of Radio 3's Fifty Modern Classics?

This episode is 14 minutes long.

When was this Radio 3's Fifty Modern Classics episode published?

This episode was published on February 12, 2012.

What is this episode about?

Jazz pianist Ethan Iverson nominates Milton Babbitt's Philomel for soprano and tape, "a classic record that should be owned by all fans of the avant-garde"; Paul Griffiths explains how Babbitt used the timbral and rhythmic resources of the Mark II...

Can I download this Radio 3's Fifty Modern Classics episode?

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