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Okay, really? Are you part of this program anymore? I'm here. Okay, what's your name, sir?
My name is Lou Barlow. Okay. You're my very very sexy co-host. I just had to.
Sorry, he is, guys. You know what? I know it. He's hot, right?
Let's just celebrate Ojadi's for a second. Can we do that? I know it's just really embarrassing. Why do you feel bad?
I don't know. It was a one time, it was a once lonely person. What does that have to do with me celebrating how hot you are? It's not to feel like people were rubbing it in when they bragged about their partners.
I celebrate my joy. Are you saying I should feel guilty for my joy? No. Do I deserve any less than your hotness?
No, absolutely not. I'm the least you deserve. You need more. Oh, baby.
You are all I need. I just was just really appreciating. I'm here to celebrate you. So my black shirt?
When you were black, damn, you really... I go in and out of thinking whether... I flustered you, didn't I? I've had times when I just wore black, kind of a lot, fully black.
And then sometimes it feels like kind of not cool of just wear black. Like just black is not cool, but then other times I think that's the coolest thing ever. People just wear black. It's not Johnny Cash, did he was like black on black?
He was the man in black. Yeah, and he looked cool. Yeah, there's... Yeah.
Good enough for Johnny. Good enough for... Hey, I think so. I think so.
I mean, you look gorgeous in all sorts of things, but you look striking. Wow, this is really surprising. I didn't know you were going to be hitting me with all these compliments. Hitting on you so much?
Yeah. Just trying to keep the spark alive. Let me hit on you for a little bit. What are we doing here?
We have a little music show? Yeah, by the time this airs, quote unquote, I will have played hopefully. I've hopefully completed three shows with Sabado. And...
Sabado, it's going to do. Sabado. Yeah. Sabado.
Sabado. Sabado. Sabado. Don't forget.
So we're doing our set list now. We're working on the list. Yeah. Finalizing.
So let's just try and get to it. I'll be a tiny bell. It's supposed to be a tiny bell. Is that how the song ends?
If I want it to. Oh. If I want it to end that way. Okay.
Is there another way it ends? Yes. Yes. There are two recorded versions of the song where it's it's much shorter and it ends differently.
One version is a four-track version that I recorded. One of the first songs really that I recorded on four-track. Back in 1985. Meet Shark Cryoglo, the new Med Spa inspired mask with under-eye cooling, IQ LED technology using high-powered LED and deep infrared for visible results in just eight weeks.
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This is podcast advertising without barriers. Get started at acast.com slash advertising. And then I did a sub-it-o-electric band version of it that we put on the bubble is a great album. It's called Sacred Attention.
Okay. It's really one of the first songs I wrote. I don't think I know that song, actually. I don't.
It's not ringing a bell. It was on the Bubble and Scrape LP. Yeah, I don't know. I don't know if I've done all of that album.
Obviously, I don't. I don't remember. It's crazy ride that one. Is it the Bubble and Scrape LP.
Okay. What's on it? What else is on it? Uh, so on fire?
Oh, okay. Well, I know that one. Um, a bunch of really fucking interesting Eric Gaffney songs. Oh, so Eric was still in the band.
Yeah. And this is an early sub-it-o-album bubble and scrape. You could say that. Yeah.
It was early. It was our first full-length LP for some pop records. Oh, oh, really? So was this the first thing you put out on sub-pop?
No. Oh, okay. Before that, there was a quote-unquote EP called Smash Your Head on the Punk Rock, the title that you love. I hate that title.
So much. You love that title. Um, there was that and then there was that was a pre-cursor to Bubble and Scrape. That was confused.
What is the first man then? Is that a sub-it-o-album? Yes, it is. It's the first, it actually is the first 7-0 cassette.
Your history is like, it's a gnarly. It was Eric Gaffney and I, that was our home recordings that collected onto an album or tape it first called the Freedman, named after the dorm on the Smith College Campus, when it's only. We both lived that. So it was a good tape first.
You and Eric. It was called the Freedman. Uh-huh. And then that became our first LP.
Well, who put that out? Homestead Records. Okay. And then we did 7-0-3.
Oh, really? Well, actually then we did, we forced, oh, okay. It is so confusing. I'm so confused.
I do. I mean, I just- I just did discogs. Figured out. I don't know.
But I wanted to, I decided that song is really fun to play live. I thought, oh, that would be a perfect song to play for these shows coming up because we can really dig into it. Like, we can really dig into the- it becomes a very- It builds. It builds and it's a time for me to do like, just then I just kind of, I didn't know what version, I kind of, it's a very loose.
It can be very loose. Loose. Loose. So that, I'm not really like playing it loose because I love the way the drone of the song and I- It's a very dramatic sounding music and- Oh, it's super.
Yeah. Wow. Yeah, it's, it's going to to be really fun, I assume, to play that. TV.
I have a feeling, because when we, when we did our show in Seattle in December, when we started playing, when our show kicked in, like, we really got into it. I was like, oh, like, sebodot, we were like, kind of fierce. So I think there could be a ferocity that we're going to bring to the stage. I would say harness that.
Yeah. I'll be known by the time that this- As aired. As aired. But anyway, that was a very, that was kind of a free form.
I like that. I mean, I was, I was going to sing it. I was going to try to keep it a little more controlled, but that was a little, I was starting my vocals at weird places and I kind of took myself by surprise with that version. So you were younger when you wrote that?
Yeah. Yeah. No, I was like, 1980. I think probably maybe, maybe 586.
So 8586 didn't, you graduated high school in 85? No, I graduated in 84. Well, still. Okay.
So that's one year later. That's a big, big-ass year. Oh, come on. So you were 18, 19, 19, yeah, that's those years are long.
Those are long years. A lot of things happen. So you were in Dyson Jr. In Dyson Jr.
I was, um, uh, reliving with your parents. You must have been living with my parents, recording on my four track, working at the nursing home, and writing kind of what became the first songs that I didn't and very, that song is very close, close in DNA and inception with Palita, which was the tape collage that I put on. Yes, that's it. Okay.
There is a, there is a familiar rhythm and thing. It's very, very close to it. It's very close to it. It's very close to it.
I'm so, I feel so validated. I didn't say anything about it because I was afraid that you would be like, no, it's totally unique, but I was like, this is so deeply familiar to me. And I wrote it just after I had done Palita. And then you just played some note when you were in Vermont and so it's sort of fresh.
Yeah. And I wasn't really familiar with that song either. And so yeah. And then when you keep going and you get more and more into the song, Palito, right?
It also has that same bill. There's another song that's very similar. Right. I can't remember how that was like, there's another one that there's, it's a little grouping of songs and the second song it's grouped with is the precursors, the beginning of the song that I just played really, it's like stylistically, thematically sacred attention is a more fleshed out version of what I had begun to do with Palito.
Interesting. Okay. For those of you, you would talk about that, but we're here. They're here.
They're here. They're here. They're probably the fuck. Are you here?
Is anyone here? Anyone? Yes. And that wasn't my for those.
I was going to show my for show. What do you show? I forgot to point down the camera so people could see how I was fingering it. Oh, maybe you could record just a version of it for.
Oh, yeah. Maybe for the sub stack for the stack. For the stack. Yeah.
I'm going to do that. Okay. Yeah. Because I got more.
I need to rehearse more and got to stretch that. This little voice of mine. Stretch it. Stretch it out for these shows coming up.
Get your frog out of there. Is it has it been? My frog's been okay. Where's he been?
I don't know. I don't know. There's no reason that it should have left. Being that September is becomes an allergenic.
Deripi time. Deripi time. Yeah. His nose is deripin.
I'm a deripi guy. It's always raining in my mouth. So yeah, that was sacred attention. From what again?
Bubble scrape. I'm sorry. I don't really remember. I'm not laughing because you should have known that.
I'm just saying I was just going to repeat the title again. Bubble and scrape. Bubble and scrape. Bubble and scrape.
Or is it bubble and bubble and scrape? It's bubble and scrape. It's a way of Eric Gaffey offered the title for the album because it referred to like when you're working in a kitchen, when you have to clean a skillet, you get it. It's bubbly hot.
And then you scrape it. Hell yeah. I've seen those videos on, you know, clean the grill, clean the skillet on Instagram and TikTok. They've got those.
Yeah. That's the out of the strip. Curfubing place on me music Monday. I need.
Thank you for the stage. The music related for real subsidiary. Other things need my super attention right now. I can't.
Wow. That I know. Wow. Meet Shark Cryoglow, the new MedSpa inspired mask with under eye cooling, IQ LED technology using high powered LED and deep infrared for visible results in just eight weeks.
Better aging treatment boosts collagen and is clinically tested to reduce fine lines and signs of aging. Skin clearing provides chemical free acne treatment on and beneath the surface and even visibly tightens under eyes in one use, developed with dermatologists for radiant results at home. Learn more at sharkninja.ca. Do you keep hearing podcast ads like this one, for example, but always wonder how you actually get involved with them for your own brand or organization?
Well, it's easier than you think. We're Acast and we give you the platform to do it all yourself. Browse thousands of popular podcasts. Choose the shows that match your perfect audience, set your budget and launch.
And if you want to hand, our podcast specialists are there to help you launch with confidence. This is podcast advertising without barriers. Get started at acast.com slash advertising.