EPISODE · Nov 1, 2016 · 1H 27M
Modern Black and White
from Fuds On Film · host Scott Morris
We're all used to the Technicolor realities of modern cinema by this point, but there's still more than a few examples where, either by economic necessity or stylistic preference, it's monochrome in the multiplex. Today we're looking at some notable examples, namely Pi, The Good German, Good Night and Good Luck, Schindler's List, The Mist, The Man Who Wasn't There, and La Haine. Find the full show notes at http://www.fudsonfilm.com/modern-black-and-white/
What this episode covers
We're all used to the Technicolor realities of modern cinema by this point, but there's still more than a few examples where, either by economic necessity or stylistic preference, it's monochrome in the multiplex. Today we're looking at some notable examples, namely Pi, The Good German, Good Night and Good Luck, Schindler's List, The Mist, The Man Who Wasn't There, and La Haine. Find the full show notes at http://www.fudsonfilm.com/modern-black-and-white/
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Modern Black and White
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