Mrs.Harris Goes to Paris: toothless antagonists

Of all the types of protagonists, audiences/readers love the underdog the most, and our discussion of this beloved archetype led us down all kinds of interesting story theory roads including tension, stakes, objects of desire, the use of consequences as plot devices, suspension of disbelief and the Disneyfication of fairy tales! Meanwhile, Melanie continues her study of the premise statement and logline — what the difference between them is, how to formulate them, why they're important and, of course, when a writer would use them. This episode is jam-packed! Enjoy! -V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!