Story Nerd

In this episode we share our lessons learned and a-ha moments about the 4 Types of Protagonists and the Premise statement. The ability to summarize your story in one sentence is an absolute must and over the course of the season, Melanie explored several different methods for doing just that. Which one was her favourite and why? This week, she reveals all. And for my part, I explored the 4 different types of protagonists and was happily surprised to have found three such different examples of the anti-hero — a protagonist type that, I think, is both misunderstood and under used. What do you think? -V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

Steven Spielberg listens to Story Nerd. My proof? In a recent interview with The New York Times, he said, "The first thing I look for [in a story] is a very compelling premise. The second thing is a character we can hitch our wagons to." THIS is exactly what Melanie and I have been discussing all season. So yeah, he MUST be listening to us, right? ;-) Seriously though, you want to tune into this episode to hear why Spielberg thinks these two things — premise and character — are so important. -V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

Serenity is the follow-on movie from Joss Whedon’s series, Firefly. While the movie had a guaranteed audience, the story suffers because the main protagonist doesn’t have a clear object of desire, however, the antagonist’s OOD is super clear and it saves the movie. Valerie’s exceptional study of the four types of protagonist moves up a notch again, as she explores the ‘lost soul’ theory for the anti-hero. - M Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

Querying agents can be a daunting task but there's a way to do it effectively! Agents want to love your book but you have to know how to present it to them. Query letters aren't simply cover letters. They're sales letters and their job is to convince an agent to ask for more. Putting a query package together is a skill, and if you want to get an agent, it's a skill you must master! The Query Starter Kit available at learn.storynerd.ca now. -V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

What's the key to choosing comp (comparative) titles that pique an agent's curiosity? Should you use films or tv shows? What about huge bestsellers — would those make good comps, and if so, in which circumstances? In today's episode, Kathleen and I discuss an upmarket speculative thriller and discuss comp title choices, killer opening lines and, you guessed it ... exposition! And if you want to read the query letters and first 10 pages writing samples we discuss in these Hook Your Reader episodes, be sure to subscribe to my mailing list. -V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

How do you create an emotional connection between a reader and an unlikeable character? That's one of the most common questions we get as editors. The answer lies in understanding the anti-hero protagonist and Birds of Prey offers up a whole group of them to study. And where there are multiple protagonists, there are multiple plotlines. And each of those plotlines needs its own premise statement. It's a full episode this week! Enjoy! -V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

Nothing is what it seems in this mercenary mystery. I discovered a way to use two premises to create mystery and a twist - a great find for everyone writing mysteries or spy stories. Valerie works out what type of protagonist Sam is, and it’s not what I thought! -M Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

What kind of story are you writing? That question is actually much trickier to answer than it seems, and that's because writers and agents look at genre differently. What happens if, after reading the query letter, an agent isn't clear on your story's genre? What role do comp titles play in explaining genre? We answer these questions and many more in today's Hook Your Reader episode. Enjoy! -V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

Well, well, well ... this has to be THE most interesting presentation of an underdog protagonist that I've ever come across. Not only have the filmmakers gone above and beyond with respect to their audience's expectations, but they've innovated the heck out of the underdog. This you've got to see! And if you're not sure whether you've written a logline or a premise statement for your story (or why you'd need both and when you'd use them) then Melanie's got your back because in this episode, she explains it all. Enjoy! -V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

This week I practised writing a premise for each of the characters in Notting Hill and I experimented with the ending to see if this tool helps writers evaluate writing ideas. Valerie studied the value of the “everyman” punching above his weight in a romance - a winning formula if ever there was one! - M. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

What happens when a story is pitched in the query letter as a mystery, but doesn't read like one in the opening pages? Where did the confusion creep in and how can you avoid a genre mismatch? We discuss this and much more (including writing unnamed protagonists and passive characters) in today's Hook Your Reader episode. Enjoy! -V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

Of all the types of protagonists, audiences/readers love the underdog the most, and our discussion of this beloved archetype led us down all kinds of interesting story theory roads including tension, stakes, objects of desire, the use of consequences as plot devices, suspension of disbelief and the Disneyfication of fairy tales! Meanwhile, Melanie continues her study of the premise statement and logline — what the difference between them is, how to formulate them, why they're important and, of course, when a writer would use them. This episode is jam-packed! Enjoy! -V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

Sicario presented us with a few surprises this week. Valerie thought she’d be analysing a hero, but Kate is an underdog. She’s not presented as a typical underdog, nor does she have the typical underdog resolution. On my end, the logline for the movie misses some essential information. I try a new method of creating a premise that clarifies the conflict and story climax, and it delivers a surprising discovery about the real antagonist. -M Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

Can you write a killer opening line? Can you define what a killer opening line is? In this week's episode, we give our professional advice on the opening pages of a story described as upmarket with suspense elements, starting with a debate about the opening line. Don't get me wrong ... the first 10 pages are quite good, but we've got suggestions for how to make them great! Don't miss this episode! -V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

What type of protagonist does your story feature? There are 4 types, each of them can be a constant character or a change character, and each one evokes a different emotion from your reader/viewer. And that's exactly what I'm studying this season starting with the hero which could be a literal superhero, or it could be a little old lady. And Melanie is studying the story premise and how to articulate a story in one sentence (because it's a skill EVERY writer needs!). There's loads of great stuff coming up this season, starting with this episode all about Murder, She Said. Enjoy! -V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

Poles apart - and not the dancing kind! Anora won the 2024 Palme d’Or at Cannes and five out of six categories at the 2025 Academy awards including Best Original Screen Play and Best Film. Plus, it was nominated for a multitude of other awards and won its fair share. On Rotten Tomatoes it has an aggregated rating of 93%. That’s impressive.  However, we disagree about What Went Right. I saw how the writer director crafted a pessimistic story arc combined with a negative character arc. Valerie believes that nothing went right in this movie because of the characters, dialogue, and lack of originality. If you’ve seen the movie, let us know what you think. -M Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

It's AMA time! When is the best time to query an agent? When is the best time to go out on submission? How on earth does a writer choose comp titles? Literary agent, Kathleen Foxx, answers these questions and more on today's Hook Your Reader episode. If you want our feedback on your query letter and first 10 pages writing sample, visit storynerd.ca for details on how to submit. We look forward to reading your work! -V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

I'm convinced that the screenplay for this film was generated by AI. Of course, I have no proof for that, but 80 for Brady is so completely bizarre that if AI wasn't involved, I'd like to know what the filmmakers were smoking. It misses the mark at every turn and has so neglected (ignored? forgotten?) the fundamentals of storytelling that not even four legends of stage and screen can save it. This just might be the worst movie ever made. Oy with the poodles already! - V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

In the season roundup, we share all our best advice about the speech in praise of the villain (what it is, how to craft it, and why it's important), and constant characters (they're waaaaaay more common than you think!). -V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!