Musical Alchemy with Rachel Baiman (Episode 27)

What this episode covers

Rachel Baiman’s indie folk and Americana vibe, rooted in Chicago and rich with fiddle tunes, unfolds as she shares her transition to singer songwriter. Influences ranging from Courtney Barnet to John Hartford and other roots music make their way into her live performance. Rachel is part of a generational scene in Nashville that I’ve been watching with awe for the last 5-10 years. A unique voice, multi-talented, and articulate, she’s not afraid to sing and speak what’s on her mind. She writes a semi-regular column for the Bluegrass Situation that shines some light into the darker corners of the music industry, addressing inequality, and challenging all of us - creators and fans - to do better, dig deeper, and expect more. In this episode we discussed everything from climate change concerns to hopes for a more equitable future. We had a great time on the happy hour and I’m sure you’ll dig it. This episode is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can dive into all things roots music anytime at thebluegrasssituation.com This episode was recorded live at 185 King St in Brevard, North Carolina on August 8th, 2023. Huge thanks to Rachel Baiman, Riley Calcagno, Thompson Guitars, Americana Vibes, and The Bluegrass Situation. If you’re enjoying the podcast please subscribe and leave a positive review. You can find us on Instagram (@thetravisbookhappyhour) and Facebook and online at thetravisbookhappyhour.com. Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Timestamps: 0:06 - Soundbyte 0:57 - Introduction 2:09 - Bill K. introduction 2:57 - Travis introduction 3:33 - On “Bad Debt” 4:52 - “Bad Debt” 9:52 - “Shame” 12:35 - On Mullets 14:24 - “She Don’t Know What To Sing About Anymore” 18:18 - “When You Bloom (Colorado)” 22:25 - “Won’t You Come and Sing For Me” 26:10 - Interview 43:45 - “Twin Fiddles” 47:30 - “Bitter” 51:15 - “In Tall Buildings” 54:53 - Outro