Musique et peinture selon Paul Klee (1879-1940)

from IFM · host Institut Français de la Mode

La musicologue Violaine Anger (CNRS/Ecole Normale Supérieure, laboratoire ITEM), explique aux étudiants de l'IFM comment Paul Klee (1879-1940) a pensé les liens entre musique et peinture. En cherchant à traduire visuellement la musique sans se contenter d'une synesthésie intuitive, le peintre allemand membre du Bauhaus a mis en place des instruments conceptuels rigoureux : damiers, quadrillages, figures en 3D... Pour Pour Klee, lui-même musicien, la musique correspond à des temps dynamiquement habités, relevant d'un dynamisme corporel bien plus que d'une mesure fixe et figée. Pour lui, le rythme est un principe d'organisation du mouvant, mettant en jeu le divisible et l'indivisible (le "dividuel" et l'"individuel").

Episode metadata supplied by the publisher feed · Published Jan 8, 2014

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Musique et peinture selon Paul Klee (1879-1940)

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