EPISODE · Feb 1, 2026 · 1H 34M
My Kid Could Paint That
from Vanishing Point · host Olivia Huntley & Emma Kimbrough
In this episode, Emma tells Olivia the story of toddler painter extraordinaire Marla Olmstead in the early aughts. This story is intertwined with an examination of the documentary about Marla and her family, My Kid Could Paint That, directed by Amir Bar-Lev and released in 2007. We discuss the question of whether four year old Marla or her father Mark were completing her prolific abstract paintings, as well as the question of whether or not a documentary can ever tell us the truth. We explore the idea of an uncorrupted mind in childhood, the current age of child stars and toddler TikTok-ers, and the tragedy of prodigy. “It's not that there's no such thing as truth. But we come to like and trust a certain story… not necessarily because it's the most, absolutely truthful… but because it's a thing that we tell ourselves which makes sense of the world, at least at this moment.” -Michael Kimmelman, My Kid Could Paint ThatFollow us on http://instagram.com/vanishingpointpodhttps://vanishingpointpod.substack.com/SourcesMy Kid Could Paint That. Roma: Sony pictures home entertainment, 2008. Morgan, Douglas N. “Must Art Tell the Truth?” The Journal of Aesthetics and Art Criticism 26, no. 1 (1967): 17–27. https://doi.org/10.2307/429241.Varnedoe, Kirk. “Your Kid Could Not Do This, and Other Reflections on Cy Twombly.” MoMA, no. 18 (1994): 18–23. http://www.jstor.org/stable/4381274.https://www.filminquiry.com/my-kid-could-paint-that-auteur/https://imagejournal.org/2008/09/05/marla-really-paint-matter/https://www.nytimes.com/2007/01/25/movies/25kid.html
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In this episode, Emma tells Olivia the story of toddler painter extraordinaire Marla Olmstead in the early aughts. This story is intertwined with an examination of the documentary about Marla and her family, My Kid Could Paint That, directed by Amir Bar-Lev and released in 2007. We discuss the question of whether four year old Marla or her father Mark were completing her prolific abstract paintings, as well as the question of whether or not a documentary can ever tell us the truth. We explore...
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My Kid Could Paint That
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