EPISODE · Jul 17, 2026 · 1H 3M
Naima Green - On Practice
from The Messy Truth - Conversations on Photography
In this episode, Gem Fletcher talks to Naima Green about her exhibition, ‘Instead, I spin fantasies’ presented at ICP in New York in 2025/26. The show, which was curated by Elisabeth Sherman, grapples with the concept of pregnancy and parenthood through constructed self-portraits, landscapes and still-lifes—blurring the line between documentary, performance, construction and vernacular modes. Throughout the work. Green probes the conventional expectations and representational tropes of motherhood, while also creating an expanded space for considering the experience of pregnancy and parenthood in America.Naima Green is an artist and educator who pictures individuals and communities to document their vibrant relationships to place and pleasure. She engages with various photographic forms, sound, installation, and experimental film. Throughout her collaborative practice, Green accesses and prioritises the nature of intimacy, safety, and self-recognition. Often working in lush and watery environments, she presents windows into multidimensional experiences of seawater and its pathways: beauty, buoyancy, overwhelm, and submersion. Oral and written histories are critical to her process; by synthesising archival research with outreach and conversation with current sitters, she frames picture-making as a continuum and her still images as kinetic, living histories.Naima has had solo shows at Astor Weeks, Baxter Street CCNY, and Fotografiska, all NY, and the Institute of Contemporary Art at VCU, Richmond, VA. She has exhibited in group shows at the Getty Research Institute, University of Texas at Austin, Mass MoCA, BRIC, The Studio Museum in Harlem, Bronx Museum of the Arts, Houston Center for Photography, and Gallery Factory, Minneapolis, MN, and others. She has been an artist-in-residence at Fountainhead Arts, Baxter Street CCNY, Bronx Museum, Center for Photography at Woodstock, MASS MoCA, Penumbra Foundation, Pocoapoco, and Vermont Studio Center, amongst others. Her work is in the permanent collections of the Barnard College Library, Decker Library at MICA, Flaten Art Museum, Fleet Library at RISD, The Getty Research Institute, Hessel Museum of Art, High Museum of Art, International Center of Photography Library, Musuem of Modern Art, Museum of Modern Art Library, Hirsch Library at the Museum of Fine Arts, Houston, National Gallery of Art, Smart Museum of Art, Smith College Museum of Art, and Teachers College, Columbia University.Follow Naima @naimagreen & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email [email protected] Hosted on Acast. See acast.com/privacy for more information.
What this episode covers
In this episode, Gem Fletcher talks to Naima Green about her exhibition, ‘Instead, I spin fantasies’ presented at ICP in New York in 2025/26. The show, which was curated by Elisabeth Sherman, grapples with the concept of pregnancy and parenthood through constructed self-portraits, landscapes and still-lifes—blurring the line between documentary, performance, construction and vernacular modes. Throughout the work. Green probes the conventional expectations and representational tropes of motherhood, while also creating an expanded space for considering the experience of pregnancy and parenthood in America.Naima Green is an artist and educator who pictures individuals and communities to document their vibrant relationships to place and pleasure. She engages with various photographic forms, sound, installation, and experimental film. Throughout her collaborative practice, Green accesses and prioritises the nature of intimacy, safety, and self-recognition. Often working in lush and watery environments, she presents windows into multidimensional experiences of seawater and its pathways: beauty, buoyancy, overwhelm, and submersion. Oral and written histories are critical to her process; by synthesising archival research with outreach and conversation with current sitters, she frames picture-making as a continuum and her still images as kinetic, living histories.Naima has had solo shows at Astor Weeks, Baxter Street CCNY, and Fotografiska, all NY, and the Institute of Contemporary Art at VCU, Richmond, VA. She has exhibited in group shows at the Getty Research Institute, University of Texas at Austin, Mass MoCA, BRIC, The Studio Museum in Harlem, Bronx Museum of the Arts, Houston Center for Photography, and Gallery Factory, Minneapolis, MN, and others. She has been an artist-in-residence at Fountainhead Arts, Baxter Street CCNY, Bronx Museum, Center for Photography at Woodstock, MASS MoCA, Penumbra Foundation, Pocoapoco, and Vermont Studio Center, amongst others. Her work is in the permanent collections of the Barnard College Library, Decker Library at MICA, Flaten Art Museum, Fleet Library at RISD, The Getty Research Institute, Hessel Museum of Art, High Museum of Art, International Center of Photography Library, Musuem of Modern Art, Museum of Modern Art Library, Hirsch Library at the Museum of Fine Arts, Houston, National Gallery of Art, Smart Museum of Art, Smith College Museum of Art, and Teachers College, Columbia University.Follow Naima @naimagreen & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email [email protected] Hosted on Acast. See acast.com/privacy for more information.
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Naima Green - On Practice
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