Nathan Johnson’s Glass Onion - Scoring a Murder Mystery episode artwork

EPISODE · Dec 24, 2022 · 43 MIN

Nathan Johnson’s Glass Onion - Scoring a Murder Mystery

from The Film Scorer · host Nicholas Marcus

To finish up 2022, I attempt to unravel the new murder mystery Glass Onion, with the help of its composer, Nathan Johnson (Knives Out, Looper) . Not surprisingly, then, Nathan and I jump into his big, orchestral score, including revisiting themes from the predecessor film Knives Out, creating new themes (particularly the theme for Janelle Monáe's character, Andi), and finding the right sound for the film. Along the way we talk about working with Rian Johnson and Guillermo del Toro (with whom Nathan collaborated on 2021's Nightmare Alley), picking the right projects, impostor syndrome, and more! You can find out more about Nathan on his website. Glass Onion is currently available on Netflix, while Nathan's score (and many of his prior works) is available on all major digital platforms.  

To finish up 2022, I attempt to unravel the new murder mystery Glass Onion, with the help of its composer, Nathan Johnson (Knives Out, Looper) . Not surprisingly, then, Nathan and I jump into his big, orchestral score, including revisiting themes from the predecessor film Knives Out, creating new themes (particularly the theme for Janelle Monáe's character, Andi), and finding the right sound for the film. Along the way we talk about working with Rian Johnson and Guillermo del Toro (with whom Nathan collaborated on 2021's Nightmare Alley), picking the right projects, impostor syndrome, and more! You can find out more about Nathan on his website. Glass Onion is currently available on Netflix, while Nathan's score (and many of his prior works) is available on all major digital platforms.

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Nathan Johnson’s Glass Onion - Scoring a Murder Mystery

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This episode was published on December 24, 2022.

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To finish up 2022, I attempt to unravel the new murder mystery Glass Onion, with the help of its composer, Nathan Johnson (Knives Out, Looper) . Not surprisingly, then, Nathan and I jump into his big, orchestral score, including revisiting themes...

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