EPISODE · Feb 16, 2013 · 58 MIN
New Commissioning Models
from Relevant Tones · host Access Contemporary Music
From joint commissions to Kickstarter, the 21st century has brought new ways of hiring composers to write music. This week, we’ll look at some of the more unusual and innovative methods and the music that resulted and we’ll chat with NewMusicUSA’s Frank J. Oteri and Scott Winship. Hosted by Seth Boustead Produced by Jesse McQuarters Joan Tower – Made in America, Leonard Slatkin, Nashville Symphony Michael Holober – Chorale, American Saxophone Quartet, Larry Combs(clarinet) Michael Gordon – Rushes, Dana Jessen Steven Mackey – Prelude to the End, Soli Chamber Ensemble Stacy Garrop – In Eleanor’s Words, Buffy Baggott(mezzo-soprano), Kuang-Hao Huang(piano) Stacy Garrop – String Quartet No. 3 “Gaia”, Biava Quartet Joseph Schwantner – Chasing Light, Giancarlo Guerrero, Nashville Symphony
What this episode covers
From joint commissions to Kickstarter, the 21st century has brought new ways of hiring composers to write music. This week, we’ll look at some of the more unusual and innovative methods and the music that resulted and we’ll chat with NewMusicUSA’s Frank J. Oteri and Scott Winship. Hosted by Seth Boustead Produced by Jesse McQuarters Joan Tower – Made in America, Leonard Slatkin, Nashville Symphony Michael Holober – Chorale, American Saxophone Quartet, Larry Combs(clarinet) Michael Gordon – Rushes, Dana Jessen Steven Mackey – Prelude to the End, Soli Chamber Ensemble Stacy Garrop – In Eleanor’s Words, Buffy Baggott(mezzo-soprano), Kuang-Hao Huang(piano) Stacy Garrop – String Quartet No. 3 “Gaia”, Biava Quartet Joseph Schwantner – Chasing Light, Giancarlo Guerrero, Nashville Symphony
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New Commissioning Models
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