New York in the 1960s episode artwork

EPISODE · Jun 17, 2021 · 1H 27M

New York in the 1960s

from Love is the Message: Dance, Music and Counterculture · host Love is the Message podcast

In the first episode of our new series looking in depth at the transformative decade of 1965-75, Tim Lawrence and Jeremy Gilbert discuss the pivotal position of New York City in the 1960s. They contrast the emergent New York with the fading Paris as centres of cultural and political life, taking in such important assemblages as the Greenwich Village Folk scene and Andy Warhol's Factory. Tim and Jeremy also discuss the contrasting schools of Jazz during the period - free, bebop and cool - and consider how the changing demographics of the city, forever a melting pot, led to the introduction of salsa to the New York audiences. The episode also takes in the various manifestations of the aesthetics of minimalism across the city, and ties it all back to David Mancuso's ear for the perfect lyric. Tim Lawrence and Jeremy Gilbert are authors, academics, DJs and audiophile dance party organisers. They’ve been friends and collaborators since 1997, teaching together and running parties since 2003. With clubs closed and half their jobs lost to university cuts, they’re inevitably launching a podcast. Produced and edited by Matt Huxley. If you've enjoyed the show so far, please do tell your friends and share on social media – it really helps us spread the show to a bigger audience. We are committed to making Love is the Message free to everyone who wants it, but if you have the means, please become a supporter by visiting www.patreon.com/LoveMessagePod for as little as £3 a month so we can stay free. Tune in, Turn on, Get Down! Tracklist: Ornette Coleman - Free Jazz (part one) Joan Baez - Joe Hill The Velvet Underground - Heroin Lamonte Young - 31 VII 69 10:26 - 10:49 PM Ray Barretto - Acid Miles Davis Quintet - Stuff James Brown - Think (Live at the Apollo Volume 2) Petula Clark - Downtown

In the first episode of our new series looking in depth at the transformative decade of 1965-75, Tim Lawrence and Jeremy Gilbert discuss the pivotal position of New York City in the 1960s. They contrast the emergent New York with the fading Paris as centres of cultural and political life, taking in such important assemblages as the Greenwich Village Folk scene and Andy Warhol's Factory. Tim and Jeremy also discuss the contrasting schools of Jazz during the period - free, bebop and cool - and consider how the changing demographics of the city, forever a melting pot, led to the introduction of salsa to the New York audiences. The episode also takes in the various manifestations of the aesthetics of minimalism across the city, and ties it all back to David Mancuso's ear for the perfect lyric. Tim Lawrence and Jeremy Gilbert are authors, academics, DJs and audiophile dance party organisers. They’ve been friends and collaborators since 1997, teaching together and running parties since 2003. With clubs closed and half their jobs lost to university cuts, they’re inevitably launching a podcast. Produced and edited by Matt Huxley. If you've enjoyed the show so far, please do tell your friends and share on social media – it really helps us spread the show to a bigger audience. We are committed to making Love is the Message free to everyone who wants it, but if you have the means, please become a supporter by visiting www.patreon.com/LoveMessagePod for as little as £3 a month so we can stay free. Tune in, Turn on, Get Down! Tracklist: Ornette Coleman - Free Jazz (part one) Joan Baez - Joe Hill The Velvet Underground - Heroin Lamonte Young - 31 VII 69 10:26 - 10:49 PM Ray Barretto - Acid Miles Davis Quintet - Stuff James Brown - Think (Live at the Apollo Volume 2) Petula Clark - Downtown

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New York in the 1960s

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This episode is 1 hour and 27 minutes long.

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This episode was published on June 17, 2021.

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In the first episode of our new series looking in depth at the transformative decade of 1965-75, Tim Lawrence and Jeremy Gilbert discuss the pivotal position of New York City in the 1960s. They contrast the emergent New York with the fading Paris as...

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