Norman C. Berns on Film Budgets, How to Make It Fit Your episode artwork

EPISODE · Sep 5, 2012 · 31 MIN

Norman C. Berns on Film Budgets, How to Make It Fit Your

from The Art of Film Funding · host The Art of Film Funding

Send us Fan MailNorman C. Berns ([email protected]) has a 35-year track record of producing award-winning films, from features and documentaries to TV series and commercials. He was the line-producer on television’s first super-gritty, “reality” cop show, The Street, for Universal and the CBS series, Wish You Were Here”. He earned an Emmy creating “Intermission Features” for The Metropolitan Opera. And joined Fallon-Minneapolis as a senior producer on the internet’s first ground-breaking web series, The Hire. His recent documentary series, The Writing Code, aired for over a year on PBS and can now be found in schools and libraries worldwide. Norman is the moderator of The Budgeting Group (http://movies.groups.yahoo.com/group/filmbudgeting) and owner of the online film community, reelgrok (http://reelgrok.com) where he teaches his popular classes on budgeting, scheduling, creating business plans and successful pitching. Norman is currently producing The Enlightenment, a feature film about James Cook’s voyages of discovery.

Send us Fan Mail Norman C. Berns ([email protected]) has a 35-year track record of producing award-winning films, from features and documentaries to TV series and commercials. He was the line-producer on television’s first super-gritty, “reality” cop show, The Street, for Universal and the CBS series, Wish You Were Here”. He earned an Emmy creating “Intermission Features” for The Metropolitan Opera. And joined Fallon-Minneapolis as a senior producer on the internet’s first ground-breaking web...

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Norman C. Berns on Film Budgets, How to Make It Fit Your

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This episode was published on September 5, 2012.

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Send us Fan MailNorman C. Berns ([email protected]) has a 35-year track record of producing award-winning films, from features and documentaries to TV series and commercials. He was the line-producer on television’s first super-gritty, “reality” cop...

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