NYC Artist Ted Reiderer and His Never Records Project

Whenever the mailman delivers a package that looks like a record, there’s no doubt that I become excited. Such was the case when I received something from Ted Riederer and Never Records. Except, something was off...while the package’s dimensions were correct, the weight was wrong, “this is light,” I thought. The packaging inside was that of a fully designed record sleeve, but - as I was to soon learn - there was no actual record inside, no disc. Intrigued, I began to uncover the story of Never Records and learn its motto which is: you are not listening. My astonishment at the empty sleeve was indicative of the fact that I wasn’t listening; but my attention had been captured and I was ready to open my ears. Never Records is really an art project and describes itself as, “a combination recording studio and record shop, all operating in one building. The sole proprietor, interior decorator, and engineer is New York-based artist Ted Riederer.” Ted travels to different geographic locations (The UK, New York, New Orleans, Amman, Jordan and more), finds a space that would serve as a temporary and fictional record shop, connects with local performers, records them, and creates two lone lathe cuts of their work on vinyl: one for the artist and one for Ted’s archive. The genre of music doesn’t matter, it’s all part of encapsulating the sounds of the communities that he visits.Join Ted and I as we get to the bottom of Never Records’ artistic vision and float some lofty dreams and theories. It’s an opportunity to observe how we currently consume music through a different lens. We also discuss his work with Arturo Vega and the art of operating a lathe. In fact, we may even cut this interview to vinyl! Riederer’s project celebrates vinyl, but also challenges our current expectations of what kind of music lives in the grooves; it’s an homage to record stores and collecting, except nothing is for sale. It’s a beautifully designed album cover, but it’s empty. Are you listening yet?