On Swift Horses with Daniel Minahan and Mary Harron (Ep. 547) episode artwork

EPISODE · May 29, 2025 · 29 MIN

On Swift Horses with Daniel Minahan and Mary Harron (Ep. 547)

from The Director’s Cut - A DGA Podcast · host Directors Guild of America

Director Daniel Minahan discusses his new film, On Swift Horses, with fellow Director Mary Harron in a Q&A at the DGA theater in New York. In the conversation, he discusses establishing the 1950s time period while avoiding tropes from other films set in the 50s, utilizing gambling as a metaphor for queerness within the film’s language, and the choreography and rehearsal that went into creating the intimacy scenes. The film tells the story of Muriel and Lee, who leave their Kansas home to start a family and a new life in San Diego. But their plans are upended by the arrival of Lee’s brother Julius, a wayward gambler with a secret past who draws Muriel down a new and dangerous path. See photos and a summary of this event below: https://www.dga.org/events/2025/june2025/onswifthorses_qna_0525

Director Daniel Minahan discusses his new film, On Swift Horses, with fellow Director Mary Harron in a Q&A at the DGA theater in New York. In the conversation, he discusses establishing the 1950s time period while avoiding tropes from other films set in the 50s, utilizing gambling as a metaphor for queerness within the film’s language, and the choreography and rehearsal that went into creating the intimacy scenes. The film tells the story of Muriel and Lee, who leave their Kansas home to start a family and a new life in San Diego. But their plans are upended by the arrival of Lee’s brother Julius, a wayward gambler with a secret past who draws Muriel down a new and dangerous path. See photos and a summary of this event below: https://www.dga.org/events/2025/june2025/onswifthorses_qna_0525

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On Swift Horses with Daniel Minahan and Mary Harron (Ep. 547)

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This episode was published on May 29, 2025.

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Director Daniel Minahan discusses his new film, On Swift Horses, with fellow Director Mary Harron in a Q&A at the DGA theater in New York. In the conversation, he discusses establishing the 1950s time period while avoiding tropes from other films...

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