On the Money episode artwork

EPISODE · Apr 6, 2021 · 27 MIN

On the Money

from PORTRAITS · host National Portrait Gallery

We look at the portraits on our money— the little history lessons we carry around in our pockets. But with such a limited array of people featured, what do our banknotes say about us? First up, curator Ellen Feingold takes us on a tour of our money’s vibrant early designs, including images of children, beloved pets, and George Washington in a toga. Then former Treasurer Rosie Rios tells us how she discovered that women have been missing from our bills for more than a century, and how she campaigned to get Harriet Tubman on the $20 bill. See the images we discuss: Sanford Bank (Maine), $2 note Benjamin Franklin, by Joseph Siffred Duplessis Martha Washington, copy after Gilbert Stuart Martha Washington, $1 silver certificate George Washington wearing a toga, National Bank (New York), $3 note George Washington, Lansdowne Portrait “History Instructing Youth,” $1 silver certificate Indépendence des États-Unis, copy after Jean Duplessi-Bertaux

Episode metadata supplied by the publisher feed · Published Apr 6, 2021

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On the Money

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Espions, une histoire vraie France Inter Portraits d’espions et d’espionnes, français, américain, anglais, russe, israélien et irakien. De la Seconde Guerre mondiale à aujourd’hui, en passant par la Guerre froide, la Chine de Mao et le combat contre l’État islamique.Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France. Inheritance, The by Susan Edmonstoune Ferrier (1782 - 1854) LibriVox "As the noblest attribute of man, family pride had been cherished time immemorial by the noble race of Rossville. Deep and incurable, therefore, was the wound inflicted on all its members by the marriage of the honorable Thomas St. Clair, the youngest son of the Earl of Rossville, with the humble Miss Sarah Black, a beautiful girl of obscure origin and no fortune." And so the stage is set for our plot, which focuses on the implications and complications of the return from France to Scotland of the Rossville widow and her daughter-heiress Gertrude, who must suffer the onslaught of relations and suitors as well as a mysterious, threatening stranger who plagues her mother. And while we suffer with Gertrude, who also may be in love with the wrong man, we enjoy a myriad of wonderful satiric portraits of the menagerie of minor characters in this lively story. (Summary by Jim Locke) Phonomaton Anaël Pigeat Phonomaton réunit des portraits d’artistes, de galeristes, de collectionneurs, de commissaires, mais aussi des portraits d’œuvres et d’expositions.Mes phonomatons sont le fruit de mes curiosités pour l’art contemporain mais aussi pour l’art ancien, parfois aussi pour d’autres territoires de la création.Ces interrogations et ces tentatives de réponses ont en commun la volonté d’élucider les gestes créateurs, en commençant par écouter pour regarder…Un podcast produit et animé par Anaël Pigeat   Un grand merci à Sylvie Astié pour l'identité visuelle, Les Films du Losange et les Blossom Toes pour le générique de "La Collectionneuse" (1967) d'Eric Rohmer, Magdalena Recordon pour ma photographie!   Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

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