EPISODE · Jan 11, 2020 · 31 MIN
Orchestral manoeuvres
from Sound of Gaming · host BBC Radio 3
Jessica Curry has the latest and greatest music for video games.Composer Takeshi Furukawa emerged as one of the most exciting new voices in video game music with his Bafta-nominated score for The Last Guardian, a visually and aurally stunning story of a boy's friendship with a mythical beast. Furukawa-san chats about writing The Last Guardian, working with the London Symphony Orchestra for the game, and why in games it's just as important as film for a composer to have a 'voice'.Plus Jessica has a mix of favourite tracks, something brand new from the cheeky and charming game Wattam and a Classic Track from a brooding Hitman that has stood the test of time courtesy of Jesper Kyd.Get in touch - email [email protected] played:Koji Kondo - Legend of Zelda Suite Bear McCreary - God of War Asuka Takahashi - A Long Time: The Six Years (Wattam) Takeshi Furukawa - Overture: Lore (The Last Guardian) Takeshi Furukawa - Forest (The Last Guardian) Takeshi Furukawa - Sentinel II (The Last Guardian) Takeshi Furukawa - The Parade (Bhopali) George Strezov - CH4 (Surviving Mars) Jesper Kyd - Apocalypse (Hitman: Blood Money) Nobuo Uematsu - Ahead on Our Way (Final Fantasy VII: Piano Collections) Sarah Schachner - Modern Warfare Main Theme (Call of Duty: Modern Warfare) Takeshi Furukawa - Falling Bridge (The Last Guardian) Takeshi Furukawa - Finale II: Escape (The Last Guardian) C418 - Dog (Minecraft) Ary Warnaar - Maki Ya (Scott Pilgrim vs. the World: The Game)
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Orchestral manoeuvres
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