P.S. I Love You - Episode 2 episode artwork

EPISODE · Aug 10, 2024 · 31 MIN

P.S. I Love You - Episode 2

from The Beatles: Note By Note

In this installment of "The Beatles: Note by Note," Peter and Kenyon dissect "P.S. I Love You," the B-side to "Love Me Do." Composed by a young Paul McCartney, the song exemplifies the Beatles' early technique of using pronouns to create an intimate listener experience. The hosts examine various recording sessions, including versions with Pete Best and Andy White, and the final cut featuring Ringo on maracas. They explore the song's letter-like lyrics, deceptive cadences, and innovative recording methods, such as the use of echo chambers and custom EQ units, highlighting the band's early experimental spirit in music production.Website: https://www.notebynoteseries.comPatreon: https://www.patreon.com/cw/NoteByNoteSeriesInstagram: https://www.instagram.com/notebynoteseries Hosted on Acast. See acast.com/privacy for more information.

In this installment of "The Beatles: Note by Note," Peter and Kenyon dissect "P.S. I Love You," the B-side to "Love Me Do." Composed by a young Paul McCartney, the song exemplifies the Beatles' early technique of using pronouns to create an intimate listener experience. The hosts examine various recording sessions, including versions with Pete Best and Andy White, and the final cut featuring Ringo on maracas. They explore the song's letter-like lyrics, deceptive cadences, and innovative recording methods, such as the use of echo chambers and custom EQ units, highlighting the band's early experimental spirit in music production.Website: https://www.notebynoteseries.comPatreon: https://www.patreon.com/cw/NoteByNoteSeriesInstagram: https://www.instagram.com/notebynoteseries Hosted on Acast. See acast.com/privacy for more information.

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P.S. I Love You - Episode 2

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This episode was published on August 10, 2024.

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In this installment of "The Beatles: Note by Note," Peter and Kenyon dissect "P.S. I Love You," the B-side to "Love Me Do." Composed by a young Paul McCartney, the song exemplifies the Beatles' early technique of using pronouns to create an intimate...

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