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EPISODE · Aug 26, 2010 · 16 MIN

Part First (Part 4)

from Trilby

Episode metadata supplied by the publisher feed · Published Aug 26, 2010

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Part First (Part 4)

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Trilby by George du Maurier (1834 - 1896) LibriVox Trilby, published in 1894, fits into the Gothic horror genre which was undergoing a revival during the Fin de siècle and is one of the most popular novels of its time, perhaps the second best selling novel of the Fin de siècle period after Bram Stoker's Dracula. The story of the poor artist's model Trilby O'Ferrall, transformed into a diva under the spell of the evil musical genius Svengali, created a sensation. Soap, songs, dances, toothpaste, and Trilby, Florida were all named for the heroine, and a variety of soft felt hat with an indented crown (worn in the London stage production of a dramatization of the novel) came to be called a trilby. The plot inspired Gaston Leroux's 1910 potboiler Phantom of the Opera and the innumerable works derived from it, and introduced the phrase "in the altogether" (meaning "completely unclothed") to the English language. (Summary from Wikipedia) The Beetle by Richard Marsh Loyal Books A story about a mysterious oriental figure who pursues a British politician to London, where he wreaks havoc with his powers of hypnosis and shape-shifting, Marsh’s novel is of a piece with other sensational turn-of-the-century fictions such as Stoker’s Dracula, George du Maurier’s Trilby, and Sax Rohmer’s Fu Manchu novels. Like Dracula and many of the sensation novels pioneered by Wilkie Collins and others in the 1860s, The Beetle is narrated from the perspectives of multiple characters, a technique used in many late nineteenth-century novels (those of Wilkie Collins and Stoker, for example) to create suspense Richard Marsh was the pseudonym of the British author born Richard Bernard Heldmann. The Beetle Richard Marsh A story about a mysterious oriental figure who pursues a British politician to London, where he wreaks havoc with his powers of hypnosis and shape-shifting, Marsh's novel is of a piece with other sensational turn-of-the-century fictions such as Stoker's Dracula, George du Maurier's Trilby, and Sax Rohmer's Fu Manchu novels. Like Dracula and many of the sensation novels pioneered by Wilkie Collins and others in the 1860s, The Beetle is narrated from the perspectives of multiple characters, a technique used in many late nineteenth-century novels (those of Wilkie Collins and Stoker, for example) to create suspense. Richard Marsh was the pseudonym of the British author born Richard Bernard Heldmann. (Summary by Wikipedia) Trilby by George du Maurier Loyal Books Trilby, published in 1894, fits into the gothic horror genre which was undergoing a revival during the Fin de siècle and is one of the most popular novels of its time, perhaps the second best selling novel of the Fin de siècle period after Bram Stoker’s Dracula. The story of the poor artist’s model Trilby O’Ferrall, transformed into a diva under the spell of the evil musical genius Svengali, created a sensation. Soap, songs, dances, toothpaste, and Trilby, Florida were all named for the heroine, and a variety of soft felt hat with an indented crown (worn in the London stage production of a dramatization of the novel) came to be called a trilby. The plot inspired Gaston Leroux’s 1910 potboiler Phantom of the Opera and the innumerable works derived from it, and introduced the phrase “in the altogether” (meaning “completely unclothed”) to the English language.

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This episode is 16 minutes long.

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This episode was published on August 26, 2010.

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