It's about to be good. Welcome to King Me Presents, Coscarell-O-Ween. Dus-g-d-O-Ween, yay! Yeah, the Crip Keepers here.
Uh, this is our month long deep dive into the work of one. Don't go. Donny Cosco himself, Donco, Donco, Scarelli. That's right.
It's me, Donco, Scarelli. I don't know either. He's Russian. He's got a Russian.
A Russian guy with an Italian name. Um, what a world. Um, yeah, we're, we're, we're fucking around with this Phantasm stuff, man. That's right.
We're in deep. We're, we're, it's too deep now. We're in too deep. There's no turning.
It's completely true. I feel like, I feel like Mike. Uh, yeah. The way I'm in too deep and there's no turning back.
There's like, I, at this point, I'm like, I don't even know who I am anymore. Uh, I got balls in my head. I got balls in my tits. Oh, that was only a matter of time.
Yeah. As soon as that happened, you're like, I'm surprised it took this long. Well, it's, so it's Phantasm for oblivion. Uh, Robin Dan here, by the way, sort of.
This is us. The Mike and, the Mike and Reggie over the show. I'm definitely the wench, right? You think you're the wrench?
I'm the red. Yeah. But that's true. Cause I'm like a little bitch and I never, and you're, you never fuck.
Uh, and I've, and look, I've been known to go stride and ice cream. Truff will treat out the back, right off the night. Just jump on the back. Fucking hijack that shit.
Yeah. Well, here's what I'll say about oblivion. Phantasm for oblivion. Finally, we get some answers.
Some concrete answers to what's been going on the whole time. Yeah. You think so. I'm joking.
I mean, I feel like I have a better handle on things than I did after either two or three. Yeah. I mean, I think two and three were both just sort of just sequels, just sort of not adding to mythology necessarily, like just kind of like more of the same, like how, how can the tall man kill people? Like, how could we show that in fun, interesting ways?
What kind of glory effects can we come up with? What if Reggie had a little sidekick guy? What if Reggie didn't fuck? Yeah.
What if he could just never fuck? Rightly so. I love that. Fricking.
But this one does feel like a return to form. It's I hate to say it. Really? It's so bizarre.
It feels crazy to say about the fourth movie in a series of movies that don't make any sense on their own or stacked up. But we cut out. There's no fricking haunted house home alone style sidekicks. They're no like zombie gang of what those what we call them, those three fuckers.
I think they were those three three undead fuckers. Those undead Fox, I think you call them. Undead Fox. Yeah, it's all killer, no filler.
That's funny to call this all killer, no filler because it's footage that didn't make it into the first movie. Yeah, it's repurposed. There's a good deal of repurposed footage from the original Phantasm that never made it into the movie that like they they read. And I think to to to to great effect here, like I think it's pretty wild how like it works within this movie, you know, you're going to you're going to hate me for saying this.
But there is a a twin pixie. So the ending, are you kidding? The I did see somebody on letterbox called this the Twin Peaks, Twin Peaks, the return of the Phantasm series. One million percent.
Yes, it is. It is for whatever that's worth. Yeah, yeah, make it make sense of that if you can, but I dare you. Imagine Reggie pointing four barrels at Judy at Judy or Joe day or Judy.
Yeah, yeah, at this movie, it's it feels much more likely original where it's like very we're in like weird liminal spaces and like you're constantly asking yourself what the fuck is going on here. Right. Instead of like, I feel like two and three, it's more like why are you doing this to me? Yeah, why am I here?
Well, yeah, I think two and three are fun in their own, right? But it's much more of like they're like horror sequels where they have to be like the body count is higher. You know, we have to be gory or we have to do more shit where this is like this feels more like a sequel. It's almost like if you got rid of two and three, you could just sort of skip over two and three and just watch, you know, watch the first one and then watch part four and then you're like two and three definitely feel like, um, you know, in like, uh, like a, you know, like a show like an animated, animated show will do like a comic book tie in.
Sure. You're like, what is that? Is that? Can it?
What is that? Yeah, yeah, yeah. What is that? What is that?
That's just like silly. But I mean, this is like, this whole series is very fucking silly. Oh, yes. I don't know.
What read the like hero moment of Reggie putting on the ice cream man is so funny. And by the way, not all dissimilar to when Dougie turns back in the day. I know. And not even a little dissimilar from that.
I think David Lynch was a big, uh, fantastic fan. He was like, get me a Reggie banister. God, you got it over. Yeah.
Um, yeah. I, uh, all the, all the stuff with Mike, Mike has a ball in his head. Uh, I mean, come on. And the ending of this movie, I mean, the way that all of these movies end with somebody like, you know, a creature or somebody crashing through a window and pulling our main character through it.
I mean, like, ah, this one, no, this one just ends with like the completion of a, of a cycle, of a loop of a recursive trauma. Yeah. How's that any different from Twin Peaks? They're in there.
Same thing. I ask you. No, it's the same thing. It's crazy.
I know. It's so weird that it's the same thing. It's so weird. Yes.
And like all the Southwest imagery going, you know, driving hundreds of miles. To get to an interdimensional gateway. Come on. Come on.
Come on. The only difference, the only difference. It's getting attacked by a demon cop. Yeah.
That doesn't happen. I don't think that happens in, uh, Twin Peaks. I like that demon cop though. It's pretty good.
Yeah. That's pretty good stuff. Um, yeah. No, it's, it's a pretty fucking pretty far out low, low key.
Phantasm oblivion is as good as Twin Peaks. Third turn. Wow. You heard it.
We'll have a tall man in them. Who's the other tall man? Who's the two in peace? Carol Stricken or whatever his name is.
Who? Does he name it? Carol Stricken. Who's the two?
It's Carol Stricken. In the tall guy, the gigantic man. Oh, the giant, the fireman. Yeah.
Yeah. Yeah. The fireman. I said, tall wasn't tall enough.
Yeah. I was thinking of a tall man. Yeah. It's just a giant, of course.
I guess one difference is in this. The Tall Man says boy. And then that one, he says, y'all. But then they play bad.
Yes. Yeah. This movie, Dan, is good and confusing. I also was getting some Hellraiser bloodlines vibes from this as well with- Of course.
I mean, intergenerational stuff, right? So like the creation of the puzzle box versus like the tall man. Why? Hello.
Yeah. I'm Jeb a diamond inside. You're like, who the fuck? Get the- get- you get out of here.
You know what made me laugh really hard? In search of him pouring lemonade. Yeah. I was like, why am I looking at this?
Yeah, I'm looking at it right now. Why do I need his hands pouring lemonade? Yeah. Is that going to cut- was that going to come back later?
Get serious. I know. Oh man. Yeah.
So, I mean, the movie stars, it's the same people that always start. Right. Right. Yeah.
Michael Baldwin, a Reggie Bandister. Bill Thornberry, his hairline is getting stranger, I would say. It is. Every time he passes through the gateway, it recedes just a little bit more.
We have Heidi Marnehoot. Marnehoot? Marnehoot? Marnehoot?
Marnehoot? Marnehoot? Nice Marnehoot. Nice Marnehoot.
Nice Marnehoot. As Jennifer, the girl that doesn't fuck Reggie in this movie. Yeah. And also is evil.
She turns out to be evil. Yeah. Of course. He can't do anyway.
Yeah. I think it's scrim as a tall man. Now, Dan, are you aware of- So, Roger Avery, you know, co-credited on story writing or whatever, of Pulp Fiction, right? He now he has the podcast with Quentin Tarantino.
We talk about movies all the time, right? Roger Avery. Yeah. He seems like a cool guy.
Yeah. He went to jail for manslaughter in general. Cool. Yeah.
Man's laughter. That's a funny joke from the Naked Dawn movie. Can I tell you something? What?
Chalk it up to parallel thought, but I remember that joke from a short-lived comedy central series that was like- the premise was it was like a real world. It was an animated show. And it was supposed to be like a real world thing with like cartoons in the style of existing IP, but all like- What was that show? Do you remember that show?
Because they do the man's laughter joke. It's not crazy. Not only that- I remember it- What was that joke? That joke was that I remember?
Drawn together. It was an habit. Yeah. They do the man's laughter joke.
Well, it's a funny one. I like it. I think. I think.
Oh, they do part of it. You can't spell slaughter without laughter. It's the one from- Let's try it together. Glad we talked about it though.
Me too. So Roger Avery, who's a pig-fantasm fan, he wrote a script for a phantasm. I think it's called phantasm ends. And it's basically like the tall man has- There's only like a couple cities left.
There's like New York and Los Angeles, and everything in between is like a wasteland that the tall man has like, you know, decimated. And you know, he has like thousands of his hoard that he is, you know, shipping off to his planet for slavery and all this stuff. But all this to say, Roger Avery has a brief cameo in this movie. Does he?
When we're in the- Is it not Civil War Time? Is it Civil War Time? It is Civil War Time. Is he one of the corpses?
I think he's one of the corpses. Yeah, he's one of the corpses. Yeah. Far right.
Yeah. Just pops up for like a second. Like, when can you miss it? But you can say- So it feels so good.
Does it, Roger? Does it? So, and then, you know, written and directed by Don Casca-Relli. This is the last movie that in the phantasm series that he directs.
There's one more movie coming out that he writes, but he does not direct. It's called Ravager. It has five Ravager. Notice Ravage has a V and a Roman numeral V.
It must. It's simply must. Much like a Bolivian has IV. Yes.
Hey, in more ways than one, Bob Ivy in this picture. Bob Ivy plays Demon Trooper. He does. Marco loved it Demon Trooper.
Yeah. See, that's what I mean. I love like- It's cool. I've never seen one of these guys before.
A Demon Trooper? Right. Yeah. Like this style of guy in these movies, like a no-skin guy.
Not in these movies. And he's just- I love Reggie opening the trunk, and there's just a guy with no skin being like, he won't kill me. Yeah. A guy with no skin who's also like folded up.
Yeah. He's like broken. His body is broken and like folded in weird ways. Yeah.
Yeah. That's great, man. That's what's up. Yeah.
That's what I'm about. And then, you know, guy on fire, guy explodes, and then he's on fire. Stop. Oh, I was so happy.
I know. That's your favorite thing. Never been so happy. I love it when the guy on fire staggers.
Yes. That's great. So when we last left Reggie, right, he was pinned to the wall by a bunch of silver balls. Remember that?
Yep. And then the little kid gets like pulled through a window, and then he's gone. He doesn't show up in this movie. He stays gone.
He stays gone. He gets gone and he stays gone. Yikes. There was a scene that they didn't shoot, but he did write it where the dwarves eat the little kid.
Oh, man. That's somehow less scary than him just getting ripped back in who knows where he's- To bliv him. Yeah. Into- Well, not bliv him.
Not a blivian, I guess. Somewhere else. Yeah. Yeah.
But yeah. So Reggie, in classic, Phantasm fashion, fashion with a pH. We're picking up right where we left off. Like, truly, the second three ends is where four begins.
Yes. We do get a quick like, I don't know, there's like a three or four minute recap video of like, all right, here's what's going on. On last week's episode. Here's what's been going on.
I made a shotgun with four barrels. We've been fucking fighting the tall man. And there's like- Mike's got a ball in his head. Yeah, there are balls everywhere.
And then yes, we pick up right where we left off with Reggie pinned to the wall. Tall man walks in, and you're like, this doesn't look like the person that I knew, you know? But I think it looks good that he looks like scary old pancake makeup. Yeah, the pancake makeup, but like the lips too, like the, you know, the shade of red that they put on his lips is just, it's all very upsetting to me.
Yeah. Yeah. Did you like the shot where it's like footage of him in Phantasm 1, driving the hertz and he's in profile? Yes.
And then they try to match, yeah, with his underbite, they try to match, did you like a match cut with Mike driving the hertz? And he's like really jutting his jaw out to try to match it. Mike's having a tough time here. I know, he's not like, he's not a real actor.
He's really not. None of them. I mean, it's so funny when like, Reggie's standing in the desert with a gun, he just got attacked by like 10 doors and then Mike and Jody come through the gate and he's like, ah, Mike, I found you. Yeah.
Just like, just like he ran into him at the store. Yes. Yeah. Oh, God.
So good. Yeah. Oh, wow. Oh, wow.
Oh, wow. The, uh, the girl plays Jennifer Heidi Marmic. Marmic? Uh, Marmic.
Oh, Jesus Christ. She's in a movie called Vice Girls. Three sexy cops will go undercover to catch ruthless pornographer, a ruthless pornographer who is murdering young runaway girls, right? I bring this up Dan because it was written by, let me see here, a Michael Baldwin.
You're kidding. I swear. Can we do that for the bonus? You don't want to watch bubble hotel?
I do want to watch bubble hotel, but I also want to learn more about these vice girls. I don't know. These vice girls, I sound very sexy. I have an idea for a script.
I have an idea for a script. Interior. A sexy girl's house. Yeah.
Just sitting on his typewriter interior. Fade in. Fade in. I have to execute my vision.
He doesn't even really talk. He talked like that when he was like 10, but I can't. He does say yeah instead of you in a way that's like very not actorly. Oh, yeah.
What are you doing here, Jody? What are you doing here? What are you doing here? Yeah, but maybe we should watch vice girls at some point, I'll add to the list.
Yeah, maybe. Maybe when we do our A Michael Baldwin series. Also, I mean starring, so it features our friend Heidi here. Also stars Lana Clarkson.
Lana Clarkson was a model. She's in some movies and whatnot. You might also know her as Phil Spector's murder victim. The woman that he shot.
Whoa. I know. Did not know. Did not know her name.
Yes. Thank God she got to make this movie where she passed. There's I feel like there's. I was just talking to her a couple months ago about vice girls too.
I met Phil. He's a nice guy. I don't know. He seemed nice.
He seemed short man. Short man. Not scary to me at all. All of sound.
I don't know. I said nice to me to Phil. I know he's a musician too. His name is Reggie.
You guys should think out. Phil's like big fan of your four barrel shotgun. That's but you know as a as a specter. Take one.
I think there's a weird sort of thing Dan where there's like these B movies, right? These like like vice girls for example B movie, right? Not a movie that like you knew about before five minutes ago. Yeah, but there's this whole sort of like weird.
Like just like these these actors and everything. There's this whole fucking like ecosystem of like, oh well, you know, it's mostly like it's usually it's it's it's cast with like models or like playboy playmates or something like that. And these women. What do they call them when they're penthouse?
Penthouse pads of course. Oh yeah. Well, good. Anyway, I didn't like it.
Anyway, but you're saying there's this whole ecosystem. I just I just find it so like and then like, you know, this this woman is like in Phil Spector's circle and then like ends up getting murdered by him, right? I don't know. It's the same thing as like a movie star 80.
Hang on. Hold on. Hold on. Which is directed by Bob Fossey, of course, Dorothy Stratton, right?
Dorothy Stratton was again like a playboy playmate who she you know, she was in like a couple like B movies or whatever. And then she ends up getting murdered by her like jealous boyfriend, right? It's just like these, you know, it's like classic sort of Hollywood, you know, crime stories like you hear like, right? You hear about, but I don't know.
It's just it's so you hear about the big stories, like the big stars when something like crazy happens, you know, Kevin Spacey's a fucking sex criminal and all this kind of shit, right? What? What? But I'm not beloved actor Kevin.
See, I don't know. I just find it very interesting that there's this whole like other side sort of like substrata of yeah, it's sort of like it's almost lynching in the way that there's like, I mean, the glitz and glamor of Hollywood and under under under pinning it is all this bad guy murdering women business. Positively lynching, if you ask me. It's downright it's DL.
It's DRDL. It's DL. Dertle, Dave. All right.
So we left Reggie, he's pinned against the wall. How's he going to get out of this one? Oh, the tall man's just going to let him go. He's like, we have we're about to begin the movie, Reg.
Yeah. It really is. He's just like, this isn't how I want to do this. I mean, it's the same way the last movie started to where like Reggie had a grenade and he's like, I'll blow up everybody.
And tall man's like, that's not what I want. You're doing you're cheating. I don't want that. Also seems like a tall man could probably do it.
He could do anything at any point. It seems like he's sort of like, yeah, he's mastered time and space. Yeah, the rules have no meaning. It feels like but at this point and it's all much more like, all right.
Well, what are we like? They don't they barely interact with the tall man like Mike does somewhat. Well, he doesn't know. He sold.
I don't know. I think it's just an unusual sort of it's just one of the weirdest horror franchises ever. Absolutely. Where you're just like, no, it's much more about like these guys hanging out with each other.
Yeah. Yeah. Like, you know, this one does, I think get back to the sort of like what what little substance there is to the first one. I don't even say what little substance there is.
I feel I do feel like it kind of gets back there where like they're again, they're like reckoning with losing each other. Yeah. And that I like that. You know, it's got something to it.
It's not just like silly fucking Looney Tunes bullshit, which I also like don't get me wrong, but not I don't know. Not when it's so poorly executed. Yeah. You know, so like yeah, it doesn't make any sense and it's silly and whatever, but it's just like, I don't know.
I think also like seeing these guys all being old too, gives it some sort of like meta heft. A Michael Baldwin is about 36 years old in this movie. Okay. Well, you know what I mean.
I know. I mean, he looks older. He looks, I guess he looks about 36, but it's just like when someone starts off, you know, with their whole life at him. For the bill, only the floorberry is 46 years old.
That can't be true. It's 46. I'm gonna get a good look at that hairline. He was 42 in the last movie.
For a little context, I am 42. Damn. Fordberry, Lord of the Dead. He is one.
I'll say it. He's one wild, Thornberry. He is. So it's crazy.
And you look at him in the first one. You're like, it's a pretty handsome guy. Yeah. It's a good looking guy.
It's why, you know, a woman might want to fuck him in the cemetery. I get it. Yeah. Hey, you don't have to be angus-cream to want to fuck young Bill Thornberry in the cemetery.
Right. You don't have to want him dead. So after we get the title, we get a lot of shots of Mike driving, right? It's weird for one of these movies.
Yeah, Mike is right. See someone just driving. Yeah. You don't see a lot of driving sequences in these fantastic movies.
And by the way, not to harp on the dirtle of it all, but I mean, white floodlight pointed at the lines on the road zipping by the night. That's that's dirtle. That's dirtle all the way down, if you will. Yeah.
It's very lost highway. Very, very, very. It's very twin peaks. The return peaks, the return.
Very wind chintry. Very Mulholland. Yeah. He loves that shit.
He does. Look at those lines zipping by. It's upsetting, isn't it? Wow.
You can't quite say why, but it's troubling. Now add an electrical sound. Great. And cut print.
OK, so Mike's driving. Mike is driving. He's like, you know, oh, Jody, I have to find you. We also have, everyone's kind of like that.
Yeah, everybody's like, I have to find Mike. I have to find Jody. I have to, Reggie, where are you? Like a lot of that kind of stuff going on here.
He, so after the last movie, right, he leaves, he goes on the road. He's driving the hearse. He's going to the southwest to look for the tall man. As he's always doing, he's always looking for the tall man, right?
Sounds like me on my way to burning, man. Mm. Looking for the tall man? Yeah, AKA the burning man.
Yeah. He's quite tall. Yes. You know, we get some flashes too of like of Mike with like silver contacts in.
Like he's like, remember, he's got a ball in his head. Remember that from last movie? He also has some like yellowish greenish goo that, you know, that formaldehyde or whatever it's supposed to be. Alien blood.
Alien blood, something like that. Like Mike in the last movie was about to be turned into one of the tall man's minions and it got interrupted like halfway. So he's only like half a minion, right? I think.
I guess. Yeah. Banana minions. Yep.
I was trying to think, is there a half minion that grew like a fucking minion and they made like a half minion or something? I think Groos fucking was a reference here. Was a little tricky, guys. Come on.
What are you talking about? Is he? Is he? They're chubby little butts.
What are you saying? Why don't you look at it up? He sounded mature. See if anybody made any artwork like that.
Groos fucking. Rule 34. Minions. I'm just looking at them to see if you can, if there's any sort of like camel toe in the front of their overalls.
Anything to indicate that it's possible. Inconclusive. We'll come back to it. All right.
We'll get back to that later. Gru marries minion. Apparently you marry someone named Lucy. No.
A human. Gru and Lucy, huh? I don't know if it's none of my business. She kind of looks like Chef Linguini.
From Retsatooey? That's right. Look, we got to stay on task here. Where are you?
Half hour in. I know. So we got a flashback. A lot of flashbacks in this movie, right?
And it's we see a young Mike jump on the back of Reggie's ice cream truck and steal some ice cream. Was this a was fantastic? I'm going to be like three and a half hours long. The original.
I have to. I guess. Yeah, they probably had a bunch of extra footage. I mean, I think it's I just think it's so wild that they repurpose it.
And like not that like they're all deleted scenes. Like none of the scenes from back then were in the original movie. So it's all new footage that he just like repurpose. And they kind of like retconned what happens to the tall man too, right?
There's like that cut me down boy. Well, even that is like something like I don't know. I don't know what's supposed to be shown in front of me, but like that seems like, oh, it was maybe Mike and Joey trying to kill a tall man at some point, but also it's like in a dream sequence when Mike is killing himself in the desert. I don't know.
It's kind of it's kind of really smart. Really clever. It could be. Also, the shot of him trying to kill himself in the desert is very funny.
Where do you find that milk crate? Where the milk crate and then like the way that his body like doesn't hang straight down, he like, yeah, his legs are like pushed back. His like back is arched. Yeah.
Like he's getting fun. Well, like he's in a harness, you know, sorry that. Well, he's uncomfortably hanging from a harness. No, this is digging into my sides.
Yeah. So Mike, we got again, that's we got the anger scrim stuff. We see anger scrim run a dog over in his, her, sorry, little not a good guy. Not a good guy.
Reminded me of a freaking needful things, right? To be in needful things. Okay. The extended cut.
Yeah, the three hour extended cut. Yeah, or they're driving in the town and then or driving out of town into some jakey-ish. Yeah. Was it by?
What like Reggie gets? What about that shot? So we get a bunch of like old footage, right? What about the it's shot?
It's new footage of present day. You know, Bill Thornberry, Michael Hall, or Michael Baldwin and Reggie Bannister. And like Thornberry has the guitar out and he's like, they're like sitting on the hood of the car. And they're all sort of like hanging out and like, They're like, what could have been?
Yeah. What is going on? And you're looking at it, you're like, no, I guess we miss out. How many of you guys you should want more for yourself.
Also, this movie had a Wikipedia, it says it had a budget of $650,000. Every penny on the screen. Every penny on the screen, man. Yeah.
Got to blow up some cars. You know, by the way, I did like that little meta joke when Reggie pulls Jennifer out of the car. He's like, we got to get out of here before the car blows up. Yeah.
She's like, I thought that only happened in movies. Yeah. And then it blows up because yeah, me too. Yeah.
That's funny. Reggie's like, because Reggie keeps blowing the cars up. He keeps flipping cars and they blow up. He keeps flipping cars.
Yeah. Cars made up flint. Yeah. Yeah.
Everything he owns blows up. Every major purchase he makes. Every major purchase. Yeah.
Except for the CUDA. You remember when Reggie had a family, had a wife and two kids? Yeah. Remember in three when the little boy looks at a picture of his family and then knowingly looks back at him?
Yeah. And it's just never addressed again. Never again. Reggie is like...
As though Mike and Jody haven't always been his real family. Yeah. I love the idea that somehow gives that character more weight if he's got like bigger priorities. But like at this point, by part four, nobody like he never talks about his dead family.
And the reason that he wants to kill the tall man because they killed his family, right? Right. Like... He seems to have mostly forgotten.
He seems to have mostly... It was so long ago. Right. He even says like, right in the voiceover or whatever, he's like...
He's like, spent my life trying to protect Mike or something. Yeah. Well, you have no choice now. I've spent a lot of time trying to protect Mike.
My wife and kids really didn't like that. And then became a real problem at home. Luckily the tall man blew them up. Luckily they burst into flames.
So crazy. Oh my god. Yeah. So...
There's some cool stuff when Mike's driving by himself. I love that one shot when he looks in the mirror. And there's just like a gray form. That was spooky.
It was like genuinely spooky. And then cutting to the passenger seat where there's an old fortune teller lady, also Twin Peaks. Yeah. You know, old fortune teller lady.
You just love this. You think everything is just Twin Peaks. I kind of do think everything. I think everything is Twin Peaks generally.
General it is, yeah. It kind of... It does feel that way sometimes. But yeah, I don't know.
Like all that stuff's good. And then the tall man pops up in the back and then climbs into... Yeah. A casket to get out of there.
It's funny. Yeah. Is this when the car takes over? Yeah.
Yeah, he's like the car will drive itself. The car will drive itself. And then yes. My son, E.W.
I've abandoned my boy. Yeah. Uh... It's...
I eat your ice cream. Yeah, the tall man, he's like, all right, I'm out of here. And then he opens up a casket in the back of the hearse and then crawls into it and just sort of like disappears. He like slides down a thing.
Yeah, it's like a Mario pipe. Yes. It's all just... And then cut to Reggie's driving.
And he gets pulled over. Officer comes, asks for a license and registration. He hands it over. And the cop like disappears and then Reggie gets out of the car.
Starts looking around. Here's a noise coming from the cops trunk, the car. He opens it up and the actual cop is in there. And he's all like, he's missing skin and he's folded up like laundry.
That's what I'm talking about. Yeah. Um... You want to kill me?