Pinocchio Noses and Plug-In Halos episode artwork

EPISODE · Oct 4, 2022 · 26 MIN

Pinocchio Noses and Plug-In Halos

from PORTRAITS · host National Portrait Gallery

Washington Post editorial cartoonist Ann Telnaes says her profession serves as a canary in the coalmine for freedom of expression, a kind of oxygen monitor for democracy itself. When cartoonists are ducking for cover, she says, you'd better watch out. She also shares with Kim why she made the jump from Disney animator to thick-skinned political commentator, through drawing. Then Wendy Wick Reaves, who procured stacks and stacks of political cartoons for the National Portrait Gallery, explains why President Nixon with a Pinocchio nose is indeed a form of portraiture. Find Ann’s work on Twitter, @AnnTelnaes. See other images we discuss: Polly Got A Cracker, by Charles Nelan Anti-Cartoon Bill Defiance The Watergate Bug, by Patrick Oliphant The Credibility Gulf Stream, by Draper Hill The Gulf Stream, by Winslow Homer

Episode metadata supplied by the publisher feed · Published Oct 4, 2022

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Pinocchio Noses and Plug-In Halos

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Espions, une histoire vraie France Inter Portraits d’espions et d’espionnes, français, américain, anglais, russe, israélien et irakien. De la Seconde Guerre mondiale à aujourd’hui, en passant par la Guerre froide, la Chine de Mao et le combat contre l’État islamique.Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France. Inheritance, The by Susan Edmonstoune Ferrier (1782 - 1854) LibriVox "As the noblest attribute of man, family pride had been cherished time immemorial by the noble race of Rossville. Deep and incurable, therefore, was the wound inflicted on all its members by the marriage of the honorable Thomas St. Clair, the youngest son of the Earl of Rossville, with the humble Miss Sarah Black, a beautiful girl of obscure origin and no fortune." And so the stage is set for our plot, which focuses on the implications and complications of the return from France to Scotland of the Rossville widow and her daughter-heiress Gertrude, who must suffer the onslaught of relations and suitors as well as a mysterious, threatening stranger who plagues her mother. And while we suffer with Gertrude, who also may be in love with the wrong man, we enjoy a myriad of wonderful satiric portraits of the menagerie of minor characters in this lively story. (Summary by Jim Locke) Phonomaton Anaël Pigeat Phonomaton réunit des portraits d’artistes, de galeristes, de collectionneurs, de commissaires, mais aussi des portraits d’œuvres et d’expositions.Mes phonomatons sont le fruit de mes curiosités pour l’art contemporain mais aussi pour l’art ancien, parfois aussi pour d’autres territoires de la création.Ces interrogations et ces tentatives de réponses ont en commun la volonté d’élucider les gestes créateurs, en commençant par écouter pour regarder…Un podcast produit et animé par Anaël Pigeat   Un grand merci à Sylvie Astié pour l'identité visuelle, Les Films du Losange et les Blossom Toes pour le générique de "La Collectionneuse" (1967) d'Eric Rohmer, Magdalena Recordon pour ma photographie!   Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

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