Pirouette Machines. Fluid Components (38c3) episode artwork

EPISODE · Dec 28, 2024 · 37 MIN

Pirouette Machines. Fluid Components (38c3)

from Chaos Computer Club - archive feed · host Ioana Vreme Moser

This lecture follows the path of an ex-ballerina through fluid computers, handmade semiconductors, and cosmetic synthesisers. We will tackle the seductive side and hidden narratives of circuitry to natural systems, salty fluids, and minerals and discuss the importance of alternative hardware morphologies. Pirouette Machines. Fluid Components embarks on an intimate visual essay on an alternative history of computer hardware in which minerals, cosmetics and fluids mingle in tactile experiments. A lipstick converted into a strident sound generator resonates through toxic entanglements with one of its main historical ingredients: lead. Following a radioactive decay chain, lead ore or galena is found on our lips and in our early 20th-century technologies such as crystal radio demodulation frenzy. This talk draws parallels between different types of hardware materialities and personal stories surrounding computing components in their use. Starting with the beauty industry, the talk serpents amongst toxic concoctions filled with heavy metals oscillating to become predecessors to the first transistors and their alternative fluidic siblings that use air and water instead of electricity. Fluidics is a technology lost in history. To operate, it requires only simple fluid matter guided by natural phenomena. Much like its mineral counterpart: electronics, fluidics builds circuits for computing. This talk concludes by following the seductive forms that fluidic circuits assume, forms, that can reimagine the morphologies of our current electronic machines. Licensed to the public under http://creativecommons.org/licenses/by/4.0 about this event: https://events.ccc.de/congress/2024/hub/event/pirouette-machines-fluid-components/

Episode metadata supplied by the publisher feed · Published Dec 28, 2024

This lecture follows the path of an ex-ballerina through fluid computers, handmade semiconductors, and cosmetic synthesisers. We will tackle the seductive side and hidden narratives of circuitry to natural systems, salty fluids, and minerals and discuss the importance of alternative hardware morphologies. Pirouette Machines. Fluid Components embarks on an intimate visual essay on an alternative history of computer hardware in which minerals, cosmetics and fluids mingle in tactile experiments. A lipstick converted into a strident sound generator resonates through toxic entanglements with one of its main historical ingredients: lead. Following a radioactive decay chain, lead ore or galena is found on our lips and in our early 20th-century technologies such as crystal radio demodulation frenzy. This talk draws parallels between different types of hardware materialities and personal stories surrounding computing components in their use. Starting with the beauty industry, the talk serpents amongst toxic concoctions filled with heavy metals oscillating to become predecessors to the first transistors and their alternative fluidic siblings that use air and water instead of electricity. Fluidics is a technology lost in history. To operate, it requires only simple fluid matter guided by natural phenomena. Much like its mineral counterpart: electronics, fluidics builds circuits for computing. This talk concludes by following the seductive forms that fluidic circuits assume, forms, that can reimagine the morphologies of our current electronic machines. Licensed to the public under http://creativecommons.org/licenses/by/4.0 about this event: https://events.ccc.de/congress/2024/hub/event/pirouette-machines-fluid-components/

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Pirouette Machines. Fluid Components (38c3)

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This episode was published on December 28, 2024.

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This lecture follows the path of an ex-ballerina through fluid computers, handmade semiconductors, and cosmetic synthesisers. We will tackle the seductive side and hidden narratives of circuitry to natural systems, salty fluids, and minerals and...

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