Poets: Philip Larkin episode artwork

EPISODE · Nov 28, 2025 · 56 MIN

Poets: Philip Larkin

from Book In · host Rupert Fordham and Charlie Fordham

Philip Larkin wrote some of the greatest poetry in English in the second half of the twentieth century. Brilliant, famous and successful, he chose to live as a librarian in Hull, largely avoiding the public gaze, and watching the world from the edge of England. His simple language and easily accessible work have made him hugely popular, and his ability to use everyday scenes and events to convey profound ideas and feelings on life, love and death are deeply moving, and achieved in part through superb poetic technique. And yet, while he had multiple relationships, he never really found love; in one of his poems, he says "Life is first boredom, then fear", and both feature heavily in his work. Complicated, irascible, misogynistic, borderline racist, increasingly reactionary as he grew older, he is not on the face of it sympathetic for a modern audience. So why does he remain as popular as ever? What were his attitudes to sex and to death? How does he achieve his technical mastery? And how does Charlie ruin for ever Rupert's love of one of his most celebrated poems?Join Book In to find out. 

Episode metadata supplied by the publisher feed · Published Nov 28, 2025

Philip Larkin wrote some of the greatest poetry in English in the second half of the twentieth century. Brilliant, famous and successful, he chose to live as a librarian in Hull, largely avoiding the public gaze, and watching the world from the edge of England. His simple language and easily accessible work have made him hugely popular, and his ability to use everyday scenes and events to convey profound ideas and feelings on life, love and death are deeply moving, and achieved in part throug...

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Poets: Philip Larkin

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Philip Larkin wrote some of the greatest poetry in English in the second half of the twentieth century. Brilliant, famous and successful, he chose to live as a librarian in Hull, largely avoiding the public gaze, and watching the world from the edge...

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