Point Blank - 1967

Episode 16 of the Speakeasy Noir Cast podcast, hosted by Resurrection Films, titled "Point Blank - 1967" was published on June 3, 2020 and runs 52 minutes.

June 3, 2020 ·52m · Speakeasy Noir Cast

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Summary

On this week's Speakeasy we discuss the psychedelic 1967 film Point Blank. Point Blank is a 1967 American crime film directed by John Boorman, starring Lee Marvin, co-starring Angie Dickinson, Keenan Wynn and Carroll O'Connor, and adapted from the 1963 crime noir pulp novel The Hunter by Donald E. Westlake, writing as Richard Stark.[3] Boorman directed the film at Marvin's request and Marvin played a central role in the film's development. The film was not a box-office success in 1967, but has since gone on to become a cult classic, eliciting praise from such critics as film historian David Thomson. In 2016, Point Blank was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress, and selected for preservation in its National Film Registry.[4] Support us by subscribing and leaving a review! https://anchor.fm/speakeasy-noircast Call us at: ‪(818) 643-1441 Facebook: https://www.facebook.com/speakeasynoircast Twitter: https://twitter.com/SpeakEasyNoir Website: http://resurrectionfilms.co.uk/home/index.php/speakeasy/

Episode Description

On this week's Speakeasy we discuss the psychedelic 1967 film Point Blank.

Point Blank is a 1967 American crime film directed by John Boorman, starring Lee Marvin, co-starring Angie Dickinson, Keenan Wynn and Carroll O'Connor, and adapted from the 1963 crime noir pulp novel The Hunter by Donald E. Westlake, writing as Richard Stark.[3] Boorman directed the film at Marvin's request and Marvin played a central role in the film's development. The film was not a box-office success in 1967, but has since gone on to become a cult classic, eliciting praise from such critics as film historian David Thomson.

In 2016, Point Blank was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress, and selected for preservation in its National Film Registry.[4]

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