EPISODE · Mar 7, 2019 · 43 MIN
Polly Morgan: Form and colour rather than life and death
from Trees A Crowd
Polly Morgan is a modern artist known for her sculptural taxidermy. Growing up in pastoral Oxfordshire, she’s been surrounded by animals from an early age. After moving to London to read English literature at university, she took a one-day course in avian taxidermy in a bid to decorate her new home. Polly’s interest accelerated from hobby to career when one of her pieces - “Rest a Little on the Lap of Life”, a white rat curled up inside a champagne glass - was sold to Vanessa Branson. Since then, her work has featured in an abundance of galleries including Banksy’s Santa Ghetto exhibition. In this in-depth interview, Polly talks us through her artistic techniques from observing and washing animal skins to forming casts, describes the feeling of creative loneliness that inspired her latest collaborative exhibition, and explains how her work is reinventing traditional victorian taxidermy - by creating abstract art that focuses on “form and colour rather than life and death.” N.B. We apologise for the reduced sound quality of this episode due to circumstances outside our control. Hosted on Acast. See acast.com/privacy for more information.
What this episode covers
Polly Morgan is a modern artist known for her sculptural taxidermy. Growing up in pastoral Oxfordshire, she’s been surrounded by animals from an early age. After moving to London to read English literature at university, she took a one-day course in avian taxidermy in a bid to decorate her new home. Polly’s interest accelerated from hobby to career when one of her pieces - “Rest a Little on the Lap of Life”, a white rat curled up inside a champagne glass - was sold to Vanessa Branson. Since then, her work has featured in an abundance of galleries including Banksy’s Santa Ghetto exhibition. In this in-depth interview, Polly talks us through her artistic techniques from observing and washing animal skins to forming casts, describes the feeling of creative loneliness that inspired her latest collaborative exhibition, and explains how her work is reinventing traditional victorian taxidermy - by creating abstract art that focuses on “form and colour rather than life and death.” N.B. We apologise for the reduced sound quality of this episode due to circumstances outside our control. Hosted on Acast. See acast.com/privacy for more information.
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Polly Morgan: Form and colour rather than life and death
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