[PREVIEW] 'The First Wives Club' Is A Raucous, Empowering Romp

Last month marked the 30th anniversary of the iconic comedy "The First Wives Club." And as two ladies who are now at a stage of life that Elise Eliot might term "district attorney," we jumped at the opportunity to discuss the film's zany plot, stacked cast, and hilarious but poignant exploration of divorce, ageism, male entitlement, and women's empowerment. When the movie opens, three college friends, played by Bette Midler, Goldie Hawn and Diane Keaton, are reunited following the public divorce and suicide of the fourth pal in their old clique. Elise (Hawn) has had a storied Hollywood career; Annie (Keaton) lives a comfortable upper-middle-class life and has a loving daughter; Brenda (Midler) helped her husband Morty build a discount electronics store empire and is planning her son's long-awaited bar mitzvah. But they quickly learn that all of their lives have gone wrong in the same humiliating way: their husbands have left them for much younger women. Now in their mid-forties, the women have been left with floundering or nonexistent careers, perceived as disposable by their industries and their selfish spouses. They decide to band together and seek revenge – no, justice. What follows is a madcap romp that, for all its storytelling flaws, is so viciously funny and so masterfully acted that it became an immediate box office hit and remains a beloved classic.The film's popularity also reflects how deeply it spoke to its (predominantly female) audience in its depiction of ageism, the stigma of divorce, and the financially devastating consequences of women sacrificing their careers for their husbands. Sure, it's not a gritty examination of what divorce really looks like for the average woman. Like Belle Burden's recent memoir, "Strangers" – but much, much funnier – "The First Wives Club" mingles aspirational lifestyle porn with a dark warning: if even these affluent, well-heeled women aren't safe from the financial and personal embarrassment that comes with divorce, what woman is? Thankfully, we can all find some hope in sisterhood, as these three iconic characters do. In this episode, we discuss the film's background and reception, recap the entire movie (and perhaps quote a little too liberally from it – how could we resist?), and discuss the film's multifaceted depiction of divorce and ageism, fatphobia, queerness, witches, the Trumps, the financial exploitation of housewives, and the sexualization and desexualization of women in midlife. Hope you enjoy!Reading list:"Hollywood's Best Revenge," by Kim Masters, Time"‘Club’ Draws Strength From Its Members," by Kenneth Turan, Los Angeles Times "The Ladies Who Lunge," by Richard Corliss, Time"Taking Action Is Best Revenge for First Wives," by Lynn Smith, Los Angeles Times"Make Way for 40-Plus ‘Club’" by Claudia Puig, Los Angeles Times"The First Wives Club," by Roger Ebert"Love's Revenge, Or, Spite Is A Many-Splendored Thing," by Janet Maslin, New York Times"The Story Behind the Iconic Casting of ‘The First Wives Club’," by Mitchell Sunderland, Vice"Goldie Hawn says she was ‘irate’ over initial ‘First Wives Club’ script: ‘It was very male bashing’," by Eric Todisco, New York Post"Heather Locklear says James Naughton not at fault for ‘gross’ moment," by Leah Bitsky, Page SixShare Rich TextIf you liked reading this, click the ❤️ button on this post so more people can discover it on Patreon!Give us feedback or suggest a topic for the pod • Subscribe • Request a free subscription