Hey, this is Jad. We just wanted to throw in an extra episode into our feed and on over a movie that we're really excited about. But first, a couple of weeks ago, I stepped in here and I sort of laid out a challenge grant that we'd gotten from the TAL Foundation. And the deal was, if you remember, that if 700 of you guys listening step forward agreed to kick in $7 a month to support the Making of Radio Lab, then the TAL Foundation would give us 70 grant to help make the show.
So again, 700 people decide to donate $7 a month. We get 70 grant. That was the deal. Alright, so how did we do it?
How did you do? You crushed it. Just crushed it. Okay, we needed 700 people.
As of right now, I think we're at somewhere over 3000. You did so well. We did so well. The TAL Foundation just came back to us and upped the ante.
Full on stretch goal, because here's the thing. 3,000 people is amazing, but that is just a dying percentage of the people who actually listened to this podcast. So, they're thinking, let's capitalize on this momentum, get the other 99.9% involved. So, their new stretch goal is that they have agreed to match any donation that comes to Radio Lab right now up to 10 grants.
So, if you decide to make the $7 a month deal, that becomes $14 a month. If you decide to do a one-time donation of 60 bucks, that's now 120. TAL will match it. And this, just a reminder, this is how we're able to do, you know, the year-long investigations in the police shooting or the nuclear chain of command, just to name the last three that we've done.
This is how we pay for it. And this challenge grant will allow us to go farther. So, if you're down, go to RadioLab.org slash Match, or you can text the word Match to the number 69866. Again, text the word Match to the number 69866, a little formal pop-up, and you can donate in a matter of seconds.
And thank you. All right, so tonight is the premiere of a movie we're really excited about. It's called The Immortal Life of Henrietta Lacks. It stars an up-and-coming actress.
Maybe you've heard her Oprah Winfrey. And it is based on the book of a very, very dear friend, Rebecca Skloot, best-selling book. You'll be able to watch the movie in a couple days on HBO. But in the meantime, we're just so proud of Rebecca.
Thrilled that this movie is getting out to a wider audience because everyone should know the story. So, in honor of that, we're going to play for you a documentary we produced with Rebecca. We worked on it for a few years with her while she was sort of formulating the book. And it includes tape you won't hear anywhere else.
We can make it closer. The story is about a tumor that expands and never stops. It begins in 1950. A black woman in Baltimore is in her bathroom.
And she discovers pretty much all on her own that she has cancer. It's a little bit of a mystery how she initially knew this, but she knew it was there. Not. She called it.
She had told her cousins for a while that she thought there was something wrong with her womb. And she climbed into her bathtub and she slid her fingers up inside of herself and found this lump. Chapter 1. First, she went into her local doctor.
My chance. I happened to be an attending at that time. The guy she eventually ended up seeing at Johns Hopkins University was this fellow, Dr. Howard Jones.
I'm 98. Next month, I'll be 99. Wow. So, when she came in to see you, can you tell me anything about what she was like?
Well, she was a... You never remember anything. No, I really don't. But you remember her tumor, right?
Well, absolutely. I never saw anything like it before or after. And this didn't look like an old tumor. It was deep purple and...
About as big as a quarter. Sort of shiny. Very soft. That was another thing about it on examination.
Slightly raised. When you touch it, you might think it was red jello. There was something very strange about the way it looked. I was somewhere about it.
So, doctors took a sample. Yeah, so they would cut off these little tiny pieces. Really small. A bite or two.
They would take a piece. Put it in a tube. And one would go to the lab for diagnosis. And in this case, since it was Hopkins.
They would take an extra piece and give it to a man named George Guy. Two. So, George Guy was a researcher who worked at Hopkins. He had a deal with the clinic that any time they got a patient with cervical cancer, they'd give him a tiny piece.
You know, the tumor. What he really wanted to do. His main mission. His scientists everywhere were trying to do this.
They wanted to find a way to grow human cells outside of a human being. In a dish. In a dish. George Guy had been trying to do this working on this for decades.
And why exactly? It's sort of like having a little tiny bit of a person in a lab that's detached from them so that you can do whatever you want with them. You know, you can't bombard some person with a bunch of drugs and just wait to see how much they can tolerate before their cells all explode. But you can do that in cell culture.
Oh, so this is like the basic thing you need to study human biology. You need cells in a dish. Yes. Problem was, any time they tried to grow human cells in a dish, they would die.
Yeah, they died. This is George Guy's former lab assistant. Can you just tell me your name? You know, my name is so-and-so.
My name is Mary. I'll put my maiden name in there. Oh, sure. Toy.
Cougar check. Mary lives just outside of Baltimore about an hour from where she used to work with George Guy. This is Dr. Guy.
Let's show me some pictures. And he's sitting at a microscope. Look at him. He looks like he seems like a really big guy.
Like a really tall guy. He was a big guy. At least 6'5", judging from the picture. Yeah, he was.
And in every slide that she showed me, he had kind of a crazy smile on his face. Like he's got a, like he's having a good time. He's like a big beer if a man is what I always thought of. Oh, yeah.
In any case, Mary says they were completely stumped at why the human cells always died. It was. But it just did. Yeah.
So on the day that George Guy walked in, handed Mary a tube with a little chunk of a nameless cervical cancer inside. I knew nothing about her. No one expected anything. No, he was doing that.
Well, he probably, you know, he's ever hopeful. But, you know, I was eating lunch and I thought, oh, the heck with it, you know, it's not going to grow. I'm going to finish a sandwich. Yeah.
And that's what I did. Three. And they were growing. And the next day.
Still growing. They just kept plugging along. And the next grew a lot. Rebecca says they doubled in size every 24 hours.
Yeah. They just grew. All of a sudden, you know, I kept transferring them and making more tubes, transferring them, making more tubes, transferring. They weren't very reliable.
And stronger. They just kept plugging along. Meanwhile, when they respond to all these cells. Dot.
Right. Officially, she died of uremia, which is like toxicity of the blood because she wasn't able to get rid of the toxic waste that usually goes out in your urine. Not herself. And to tell us this story is a privilege to introduce Dr.
George Guy. It wasn't long after that George Guy appeared on TV holding in his hand a little bottle. Now let me show you a bottle in which we have grown massive quantity of cancer cells. So did you want to look at the photos?
You can't really get a sense of how aggressive this tumor was until you go to the Hopkins Archives and look at George Guy's pictures and videos. Okay. This is the foam can here. The fuel cell foam.
Then it hits you. These are enlarged 10,000 times. Oh my God. Swirling hurricanes of cells.
Just like thousands of little puss. Some small and some very large. Some together. I'm transferring them and making more tubes.
These are under the microscope. Looks like something is just exploded. They're going to be. That's amazing.
And it is getting bigger. It's getting bigger. Strong. It's indestructible.
It's indestructible. Nothing can stop it. Why hers just sort of took off and grew and the other ones that they had tried before didn't is just a little bit of a mystery. Nobody really knows.
Four. Nonetheless, George Guy knew what he had. This new cell line was what they'd all been waiting for. So early on, right after this one died, George Guy sent Mary back down to get more cancer cells from the course.
Oh, he sent me down to the morgue. Yeah. Really? Oh yeah.
So I went down there. After God was there too. And they were standing down at her feet sort of. Yeah.
She's lying out there. She's already open. I got some samples. Cora would take them out and give them to me.
What'd she look like? I couldn't look at her face. I couldn't look at her. The only thing I looked at were her toes and they had chip nail polish on them and that was really like, oh, this is a real person.
What was it about the nail polish that hit you? Oh, because it was chipped. Because you know that she hadn't been able to take care of her nails for a long time if they got chipped like that. And it showed that she was proud of herself.
Not everyone wears nail polish on their toes. Yeah. Over the next several months, while this woman's body lady composing in the ground, George Guy and Mary produced hundreds of thousands of her cells, her tumor cells, and he named them the Hila strain. Hila?
Like Hila H-E-L-A. No one would actually know why he had named them that for about two decades. But what he did with these cells, you know, would be unusual nowadays. Like if somebody now found a cell that was special, they'd run off to the patent office and then sell it to Merck for a billion bucks.
But George Guy? He just passed them out freely. Didn't try and make any money off. It was just a nice, nice new thing that could help science.
Mary says that George Guy began to send Hila all over the world. Yeah. And she was in hundreds of labs. And, you know, this was in the midst of the polio epidemic.
This is the season when polio was at its worst. We're talking early fifties, right? Yeah. So this is 1951, 52, you know, schools are being closed, kids are being kept inside.
Two days, four days, medical science still has no complete answer. There was an enormous effort to develop the polio vaccine. Problem was, in order to develop a vaccine, you had to have enough polio virus, you know, enough quantity to be able to study it in a lab. And they had no way of making enough.
So what did you do? Well, one of the guys that guy, one of the guys that guy had sent the cells to, this collaborative friend of guys discovered something kind of amazing, which was that polio loved the Hila cell, put polio inside a Hila cell, Hila would copy, and in the process, make more polio. So what's the super Xerox cell? No matter what you want to do, make a copy, make a copy, make a copy.
Yeah. So now they had a way of making polio. Hila could just be a polio factory. And so, the government made a factory with a Tuskegee Institute.
A real one. Literally a factory. So they had these big, you know, stainless steel vats of culture medium that were sort of rotated constantly, autoclaves were sterilizing all their equipment, a row with, you know, a five microscopes crazy. Frankenstein used to give those, they had this machine, it was an automatic cell dispenser, and it had this sort of long mechanical arm.
It's a certain amount of this culture medium filled with Hila cell into a tube. Wow, this is like a beauty of industry right here. Yeah, it is, absolutely. The cells that were produced at this factory, she says, were used to test the polio vaccine.
The whole vaccine to prevent the drug and disease. The test that they were doing in Norse was the largest Hila trial ever done. At its peak, the Tuskegee Hila production center was producing about six trillion cells a week. Wow.
Which is kind of inconceivable. That was actually only the beginning, such a bracket, because this factory led to an even bigger one. It was for profit. Right.
And that second factory was the first time any human biological material was commercialized. It was the first biotech company. Yeah, basically. Okay, but when they first started mass producing Hila, what sorts of things were done to these cells?
What sort of problems were investigated? Like anything you can imagine. So they infected Hila cells with every kind of virus, hepatitis, equine, encephalitis, virus, yellow fever, curpies, measles, mumps, rabies, whatever. Like any vaccine.
And this was just, this was a revolution for scientists. It was a chemotherapy drug. Hila cells went up in some of the first space missions. Really?
Hila went into space. Hila went into space. Every time I think it was like, Hila in space. Why?
I mean, just because. To see what happens to human cells in zero gravity. You know, if we're going to be sending people up into space, what's going to happen to them up there? No.
So Hila went up before any humans did. And then she eventually went up. She, the cells there was actually. That was an interesting little slip up there.
Yeah, I know. Okay. So let's actually skip forward in the story to the point where that, that slip up, you just heard that pronoun confusion gets personal. No.
What happened? Okay. It's late 60s. And Hila has led to a revolution in science and now there are hundreds of cell lines, not just Hila, but hundreds.
And somewhere along the way, scientists discover that Hila is so aggressive that she's actually been contaminating and taking over all of these other cell lines. Well, you just said she, but I get your point. And she does it in the, it does it in the strangest way. Hila cells can, you know, they can float on this particles.
They can ride on. They can what? They can float on dust particles? Yeah.
So they can. You mean they can hop out of a dish and just get on a particle and just float? Mm hmm. Out of the door.
Up the stairs. Down the hall. One Hila cell. Into a lab.
Rops. Into a dish. A cell culture where there's other cells growing. And because Hila cells are sort of powerful cells, they take over.
And so on the heels of this catastrophe, someone that Hopkins decides to make a test. Let's make a test that will allow us to genetically determine if a cell is Hila or if it is in a make-along story short. This desire for a genetic test led scientists and then journalists to ask a question which amazingly for 25 years had not been asked. Who was this woman?
And that's when we found out her name. Henrietta Lacks. This is the sound of Rebecca reading Henrietta's medical records for first time. This is a 30 year old colored woman.
She's sitting with Henrietta's youngest daughter Deborah. This is second November, so this is the end when she was pregnant with you. Henrietta had five kids when she died at the age of 31. Most have no memory of her because they were too young.
That's especially true of Deborah. It was only 15 months old and I don't remember anything about my mother. Yeah, so she, you know, she had spent her entire life just sort of longing to know who her mother was. And did she like dancing?
You know, I always wanted to know what she liked to do, what she went, what she liked to eat. Did she breastfeed Deborah? She was really sort of almost fixated on that idea. She wanted to know if she was breastfed.
Oh, you know, I don't know what I would give up just to, just to have her here, I tell you. Just to see her and hold her. So in 1973, when a scientist calls a lax family and Deborah hears that little bits of the mother that she never knew are still alive, and oh, by the way, can we take a blood test from you and your family because we're having some contamination problem? We need these genetic markers, blah, blah, blah.
Well, as you can imagine. It took me about to pry. They really did. It was really confusing.
I mean, how much of a cell is out there, you know? Eventually, she went online, did some searches and found. Thousands and thousands of hits. Like, for instance, on Hela clones.
And Deborah had heard, you know, various journalists in the past had come to her and mentioned, you know, Dolly the clone sheep and said, you know, your mom, they did this with your mom too. Meaning that's actually where the technology started. The first cells of her clone were Hela cells, but that was just cloning a cell, not cloning an entire being. But that distinction is very complicated, particularly for somebody who doesn't know what a cell is.
Yeah. So Deborah, between what journalists had told her and Googling Henry, the lax, and clone, thought there were thousands of clones of her mother around. Really? You mean like a bunch of Henrietta's walking around?
Walking around. And Rebecca says that one of Deborah's biggest fears was bumping into one of these clones. She said, you know, she would say, I would have to go talk to her and she wouldn't know that I was her daughter, and I don't know that I could handle that. Wow.
It sounds so fantastical. How could someone believe that their copies of her mother walking around, but at one point, 25 years after their mother died, someone called and said, hey, part of her is still alive and, you know, we've grown enough of her so that it could wrap around the Earth several times? At that point, all bets are off. Yeah, right.
Exactly. Not to mention that it's actually not that crazy. Because your DNA is in your cells. So if your cells are taken out of you and they still grow, well, isn't that still you alive?
It's of you, but it's clearly not you, and it's going on and on. That's, um, it's a funny middle space, that's for sure. Yeah. So here's what happened.
As Rebecca went off in search of Henrietta lax, every so often Deborah would come along. And sit with her as they interviewed, you know, anyone that could find friends, family, and eventually, over many, many years, a picture does emerge of who this woman was. She was born in Roanoke, 1920, Virginia. And I think she was the 10th of the 11 children.
But apparently she was the one that stood out. Everybody talked about her as just being, you know, she was the catch. Oh my goodness. I don't think I could top her.
This is Sadie Sturden. Henrietta's cousin. Henrietta was a beautiful girl. I was beautiful for myself, but Henrietta was very pretty.
Brand out. She was really meticulous about her nails. Always painted them red. It was very deep red.
And second, Henrietta just had this. She was very... Strength. Right.
Very sassy. Like her cells. Now the unfortunate thing is that when it comes to her life, you know, how she lived, there's not a ton of detail. But in that hotel room, the two of them were flipping through the medical records, they did start to get some detail.
About how she died. Was she in a lot of pain when she died? Yeah, this was the hardest thing. That she was eventually in an unbelievable amount of pain.
She complained of pain in a right lower quadrant. Wailing and crying and, you know, moaning for the Lord to help her. According to the records, doctors tried everything. Morphene, they injected 100% alcohol straight into her spine.
Wow. She complained of pain in spite of the alcohol injection last week. And she would have these fits of pain. Those spasms were the waves of pain would hit her and she would rise up out of the bed and thrash around.
So they strapped her to the bed and her sister, well, along with one of her friends, you know, one of them would tighten the straps and the other one would put a pillow in her mouth so that she wouldn't bite her tongue. If I only just had the chance to take care of her. Now, dealing with how her mother died was one thing. But the cells made it more complicated.
For Deborah, her mother was alive and the cells somehow. So if that's true, that left very big questions. And the first of them, for Deborah, was how can Henrietta rest in peace, if part of her soul is being, you know, shot up to the moon and injected with all these chemicals and radiated and bombarded. We were just so painful knowing, you know, they had her cells on the back of a donkey, going to Turkey, you know, in the airplanes, just going all over the world.
I just don't know. You know, she worried about them. She worried that it hurt her mother. Really?
When you infect the cells with Ebola, does somehow her mother feel the pain that comes with Ebola? Yeah, it just never, like, sat down with her. No. I mean, just explain to her, like, this is...
No, never. Nothing. Because it strikes me that it wouldn't be that hard to explain it. Like, when you take cells out of a body, it's kind of like when you cut your fingernail off, it just doesn't...
But your fingernail doesn't keep growing and living after you cut it off. It's really hard. There is no other example of some way that you can take something from someone's body and have it keep living and not have a person feel it. And all these worries, says Rebecca, began to build in Deborah's mind, and build, and build.
There came at this point, so we were at her cousin's house. This is her cousin, Gary. She was broken out in hives, and she was telling him all the stuff that she'd recently learned. You can almost hear it on the tape.
She says to him. She can't carry the burden of these cells anymore. She can't do it. And I had been trying to talk it down, and he was trying to talk it down.
And then just out of nowhere, he just started singing. And he started preaching. He held her head in his hands. And we come to you tonight, the author, and the finisher of our thing.
And we thank you for being my wake-up. You make a path in the mighty waters. You call the mountains a skip like the rams, and the little heels like the hands. We thank you tonight.
Thank you Lord. Thank you. Thank you Lord. Thank you Lord.
Thank you Lord. Thank you Jesus. Hallelujah! Hallelujah!
Amen. Amen. Amen. Amen.
Amen. And she just relaxed. You like it, Mary? You like it.
You like it. She didn't realize it then, but that night, Deborah was on the verge of a stroke. You want to walk up the tube, darling? You want to walk up the tube, darling?
You mean to go up the tube? One of the most striking moments of the story is when the two of them visit Hopkins. That's how you feel. And Deborah meets her mother's cells for the first time.
Because the scientists had finally contacted her. Christophling Gower, the scientist who invited us into his lab to see the cells, he had projected them onto a screen. Don't be confused. They look green here, okay?
There's some neon green in this particular case because of the way they were stained and projected. So they're very ethereal-looking. They're very sort of, they're the glow. You know, when you think about angels, right?
You think of something glowing. Christoph turned on this screen and she just, you know, I mean, Deborah just gasped. Oh, God. But it's time to figure out what they really are.
And swirling hurricane of cells. Did you say all that for another? Yeah. Yeah.
That's my wish. Yeah. Oh, God, yeah. Christoph gave her a vial of these cells that she could hold in her hand.
And they came out of a freezer so they were really cold and she sort of, you know, rubbed her hands together with the vial in her hands and sort of warmed them up and sort of blew on them to keep them warm. And then she just whispered to the cells. It was so incredible. She just raised them up to her lips and she said, you're famous.
But nobody knows it. Just a week before Rebecca and I spoke in the studio, she got a call. The Deborah had died. She had a heart attack and died in her sleep.
Okay. So as you may know at this point, that segment was based on Rebecca's book, The More to Life of Henrietta Lacks. It's an amazing book. It came out right when we released that piece.
It's been a couple of years now. And recently we met up with Rebecca in Chicago just to get an update. It's like the book came out. Because since the publication of that book, the whole story just exploded.
It just took off. Scholarships were named after Henrietta. Henrietta was given an honorary doctorate. Monuments.
Highway placards and historical landmarks and buildings named after her. There's a high school called Henrietta Lacks High. Keela High, for sure. Meanwhile, the book is exploding.
She went on this insane book tour. Members of the Lacks family began to join her. It started off with just Sonny Lacks would go and do a sort of onstage Q&A. And people started cheering.
And scientists standing up saying, I want to tell you what I did with these cells. And I want to tell you why this was important for me. And I'm sorry it was hard for you. And people reaching out, I'm alive today because of this, a drug that your mother sells off developer.
You know, I do this in my lab. I mean, it never stopped. It was just a flood. She wanted to go to every event.
She wanted to be on every television show. She had her dress picked out for Oprah, like, you know, eight years before the book came out. You know, she was, Deborah wanted this. This is exactly what she always dreamed of.
But then, just last year, something interesting happens. Interesting, troubling. So, yeah. So March 2013, this group of scientists from Germany sequenced the Heliginom and published it online.
Where anyone can download it. You just click a button and I downloaded it. It was just there. And they did not ask the family.
And my initial reaction when I saw this press coverage was, they did what? Because within the Heliginom, there was also Henrietta's genome. And some of that was 50% of that was passed under her kids and 25% particularly to her grandkids. But one of the things, so they put out a press release when this genome was sequenced.
And on it, it had a little, you know, frequently asked questions and the press might wonder about. And one of them was, can you learn anything about Henrietta or her children from this genome? And the answer was no. Can't learn anything about them.
And I believe that they believe this. But this is a misconception. You can, in fact, learn about people. And in fact, you cannot even hide people's private information if you try.
And so, one researcher took the genome and created essentially a report on Henrietta's genes. You have X% chance of bipolar disorder, alcoholism, obesity. You know, it just has this huge range of things. And some of it is, yes, there's some real potential privacy violation, like with the Alzheimer's genes and things like that.
Bit some information about Henrietta. Do Henrietta have? I will not tell you. Well, this report that the student made, did he list all these things you're describing?
Yes. So, and he sent it to me. So, I called the laxist and said, you know, did you know anything about this? Rebecca had called, you know, they did not.
And he kind of bothered us because we're saying, okay, why wasn't a family involved with this decision-making? That was Jerry Lax. Jerry Lax. Why?
Henrietta Lax's granddaughter. Back in the 50s, you had Henrietta Lax. Her cells were removed without her family's knowledge. Then you go in the 70s.
My dad and his siblings, they told blood samples. They used it for research. They didn't give consent. Then you come 2013.
And you have Henrietta's, I felt as though it was her medical records being published publicly. You know, their first question was, can you get them to take it down? And so we can figure out what it is, what it means. So, I reached out to the scientists and said the Lax family, you know, has asked that you take this down.
And they replied immediately. They took it offline immediately. And then I contacted Francis Collins, who's the head of the NIH. I also reached out to Kathy Hudson, who used to run the Genetics and Public Policy Center at Hopkins and is now over at the NIH, dealing with a lot of these issues.
So I reached out to them and said, somebody needs to try to just help the Lax family and get consent. So we need to just go back, pretend like this is starting now, and just do what probably should have happened in the first place. And I'd say it might have been like a couple of weeks after that, several weeks after that, that we had a meeting with NIH. That was my mom, my self, my sister, my dad, my uncle, my brother David, my sister Kim, my cousin Ron, Rebecca Sclucci was actually on a conference call.
The NIH folks drove up to Baltimore. We googled their names of Dr. Collins and Kathy Hudson. And it was like, oh, we were kind of excited.
Like, okay, yeah, we sit in a room with a director. They all met just to listen to everybody, you know, listen to our concerns, listen to our questions. What can be done? What can be done?
The Lax family asked about everything you could possibly imagine. Went over, you know, the information about genome, gene mapping, sequencing. Just the basic science of genomes to get a clear understanding of what the genome meant to science. We don't want to stop science, but yet we don't want certain information to be just broadly available publicly.
So they laid out three options. One was we don't release any of them at all. And then there was a second option, which was release it with no restrictions. Just put it out there like the Germans did.
And then there was a third option, which was release it with restrictions. So the NIH would house it on their own servers. And then in order to get access to it, you would have to send an application. It said, this is the research we're going to do.
There would be a committee forum that was a group of scientists and some members of the Lax family. The Hela Genoa Committee? One grandson child and one great-grandchild. My brother David and my cousin, Veronica.
Obviously, this is the option they picked. So yeah, there's this committee. And they just a few weeks ago saw their first batch of applications. And then the news hit.
And it was the first time that they were part of the news. So the third generation. The Lax family, like Jerry Lax was on MSNBC live doing an interview about this. She'd never done this before.
And you know, they were in every newspaper. I mean, it was everywhere. Yeah. It's pretty exciting.
Yeah, we are stepping into the spotlight. It's the grandchildren. The third and fourth generation of Lax's. It's the great grandchildren.
This is their story now. And that's, you know, the other thing that is an undercurrent's role. This is Debra's gone. She was the one who was just so forceful and so dedicated with getting the information out there about her mom.
And, you know, when I look at the four years since the book came out, you know, there are a few moments that stand out as incredibly emotional ones for me having to do with Debra. But this, the first meeting, sitting on this speakerphone listening to this meeting. These high officials sitting at the table and have sincere concern about our questions. If she could have said, what do I dream might someday happen?
That would be what she would have described. I didn't, I could just imagine her just sitting there and she had just laughing, laughing, her fingers saying, yay. Just, um, absorbing all of this, this excitement. Before we close, I want to thank Rebecca Sgloot for giving us her raw tapes.
Her book, The Immortal Life of Henrietta Lax is truly spellbiting. You can get more information at radiolab.org, sign up for our podcast there. Radiolab.org. This is Rebecca Sgloot.
Radiolab is produced by Deb, Adam Red. Our staff includes Ellen Horne, Michael Ruffale, Dorn Wheeler, Louis Miller, Tim Howard, and Pat Walters. We'd help from Adi Narayam, Erin Sand, and Sharon Shek. Special thanks to Tim Clark, and Timothy Weisen.
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